Glassware

A Malcolm Sutcliffe studio glass cameo bowl, contemporary, the frosted clear body mottled and speckled with shades of blue, overlaid with indigo and carved with dolphins, engraved mark to base, diameter 15.4cm

An oversize glass rummer, 19th century, the rounded bowl engraved with a huntsman on horseback and three hounds chasing a fox, above a short waisted stem and circular foot, height 21cm.

A pair of ruby flashed frosted glass vases, Bohemian, late 19th century, one decorated with a stag, the other a hound, within foliate garlands opposing a foliate stem, later converted into lamp bases, height to top of vase rims 34cm, together with an amber flashed Bohemian glass vase, engraved with stags in a wooded setting above oval faceted detail, height 16cm.

"A Iestyn Davies Osiris studio glass vase, dated 1986, the black oval shaped body decorated with a gilt basketweave pattern and horizontal trails around a central red glass oval, engraved signature and date to base, height 28.5cm. <br><br>Provenance: from the collection of John and Poppy Stallebrass."

A Lalique frosted and clear glass Aladdin pattern bowl, late 20th century, of stylized leaf shape, engraved mark to base, length 20cm.

A Lalique frosted and clear glass Pivoine glass bowl, 1970s, of circular shape with high relief foliate detail to the exterior, engraved mark to base, diameter 28cm, with original box.

"A small group of John Walsh Walsh mostly straw opalescent uranium glass rustic thorn posy vases, late 19th century, of trunk form on root style feet, height of tallest 15.3cm, together with a small group of other opalescent and uranium glass and similar posy vases, including some of shaded cranberry tint with applied pulled rigaree uranium detail (minor faults). <br><br>Provenance: from the collection of John and Poppy Stallebrass."

A part suite of hobnail cut glass with gilt rims, 20th century, raised on bladed stems and star cut feet, comprising nine champagne saucers, twelve claret wine, height 14cm, six small wine, height 12cm, twelve glasses, 11cm high, and six sherry, 9cm high.

A Waterford Sheila pattern part suite of glasses, comprising eight champagne saucers, height 12cm, eight red wine, height 16.5cm, eight white wine, height 15.5cm, and eight sherry, height 14cm.

A set of twelve Waterford Sheila pattern champagne saucers, height 12cm.

A Boda glass decanter and stopper, circa 1960, of faceted form engraved with a female nude emerging from a lotus flower, engraved marks to base with numerals, height 22cm, together with a graduated pair of Kosta Boda Pippi design decanters and stoppers, tallest 31.5cm, a similar Kosta decanter bottle and stopper, a Sèvres Cristal decanter and stopper, a similar unmarked example and five Orrefors decanters and stoppers, including one engraved with a ship in sail and another with a lion, various engraved marks and some original applied paper labels. Provenance: from the collection of John and Poppy Stallebrass.

An Orrefors glass decanter and stopper, mid-20th century, engraved with a design after Nils Landberg depicting a mermaid holding a shell, engraved marks to base, height 25cm, together with a mixed group of Swedish glass, comprising five engraved Strombergshyttan vases, tallest 18.5cm, four Holmegaard vases designed by Per Lutken, a Kjellender vase engraved with a ship in sail, height 21cm, an engraved Edenfalk vase, two other engraved vases and a decanter and stopper engraved with a bird in flight, various engraved marks to bases (some faults). Provenance: from the collection of John and Poppy Stallebrass.

Two graduated Tudor glass circular bowls cut with the Leaf pattern after Clyne Farquharson, 17cm and 20cm diameter, together with a group of other mid-20th century British cut glass, including a Stuart clear cocktail decanter and stopper engraved with a pair of fighting cockerels, two Stuart water jugs, height 22cm, a Stuart Tamara pattern circular footed bowl, diameter 20.5cm, two Stuart amber tinted vertically ribbed vases, a pair of Stuart chrome mounted twin candelabra, other Stuart vases and decanters and stoppers, a Webb Bullseye amber tinted decanter and stopper, Edinburgh Crystal, Dartington and a Webb blue tinted footed conical glass bowl with moulded cracked ice exterior, height 17.5cm. Provenance: from the collection of John and Poppy Stallebrass.

"A Baccarat Thomas Hine & Co. Cognac decanter and stopper, with vertical line and cross cut decoration, acid etched marks to base, height 24cm, together with five other assorted Baccarat glass decanters and stoppers, including a Tallyrand pattern example, acid etched marks to bases. <br><br>Provenance: from the collection of John and Poppy Stallebrass."

"A large mixed group of mostly Stourbridge air trap satin glassware, late 19th century, including vases, jugs and posy holders, predominantly with a quilted diamond design but also chevrons, trails and spots, in blue, pink, yellow, cranberry, orange and caramel colours, height of tallest pair 23cm (some faults). <br><br>Provenance: from the collection of John and Poppy Stallebrass."

"An Art Deco silvered and enamelled glass water jug, circa 1930, etched with two jockeys jumping a fence against a textured 'ice' ground, height 19cm, a similar cocktail shaker and cover silvered and etched with a ship in sail beneath a starry sky, height 23cm, a brown tinted glass vase with silvered fish decoration, height 21cm, a clear circular footed bowl gilt and enamelled with fish and silvered bubbles, diameter 20cm, and a group of other similar enamelled glassware, including a six piece dressing table set with silvered and green spot decoration and a green and silver banded jug (minor faults). <br><br>Provenance: from the collection of John and Poppy Stallebrass."

A rare Gallé carved, enamelled and gilt Historicist glass vase, circa 1900, designed by Louis Hestaux, the clear cylindrical body with shaded brown to green mottled internal colouring and external staining, with pinched trefoil shaped rim, carved in relief with the title of Villon's poem 'La Ballade des Dames du Temps Jadis', beside and beneath an enamelled figure and illuminated manuscript style text, also incorporating a shield with entwined 'EG' monogram and Cross of Lorraine, cameo mark to side 'Gallé 1884-1900', height 21.5cm. Note: François Villon is the best-known French poet of the late Middle Ages. This vase is one of a series which was based on Villon's poem and includes amongst the decoration the question 'Mais où sont les neiges d'antan?', taken from 'La Ballade des dames du Temps Jadis' and translated by Dante Gabriel Rossetti as'Where are the snows of yesteryear?' This is one of the most famous lines of translated secular poetry in the English-speaking world.

"A cut glass Waterford pattern circular dish designed by Ludwig Kny for Stuart in the 1930s, diameter 30.8cm, a similar Stuart bowl with a sunburst design, diameter 30cm, and a group of other mostly British 20th century cut glass vases, bowls and dishes, including a Webb Corbett vase with stylized foliate stems, height 23cm, and a Stuart bowl with floral stems. <br><br>Provenance: from the collection of John and Poppy Stallebrass."

"A John Walsh Walsh vaseline glass footed bowl or vase, circa 1900, of lobed circular shape with everted crimped rim, detailed with stylized flower stems, raised on a waisted stem and circular foot, height 16cm, together with two other pieces of uranium glass, comprising a vase with wave ribbed decoration, height 20cm, and a vase with vertical line decoration, height 21cm. <br><br>Provenance: from the collection of John and Poppy Stallebrass."