Fine Art

"Donald McGill (British 1875-1962) - ""I was down here last year after ‘Flu” “Oh, came down here to do a bit of recuperating I suppose?” “Oh no, old man, I felt far to ill to think of that sort of thing!”:, watercolour, signed lower left, image 19cm x 14.5cm, with a postcard of the same subject, unframed."

Donald McGill (British 1875-1962) - ‘Oh Boys, You ought to see me without my skirts’: a woman in sailing outfit on the beach, watercolour, signed lower left, image 19cm x 13.5cm, with a postcard of the same subject, unframed.

Donald McGill (British 1875-1962) - ‘YES, an’ his wife’s a skinny little woman – flat as a pancake!’, watercolour, signed lower left, inscribed with title verso, mage 20cm x 14.5cm, unframed.

Donald McGill (British 1875-1962) - ‘You know, Girls, these ultra-violet rays do fly to your nose!’: A squiffy woman drinking Guinness on the beach, watercolour, inscribed verso, image 20cm x 14.5cm, unframed.

Mary Godwin (British 1887-1960) - Clifton, St Vincent's Rocks Hotel' (Bristol), oil on canvas, inscribed on label verso, 54cm x 44cm, within a gild composition frame Mary Godwin was a pupil of Walter Sickert and Harold Gilman.

Edward Wesson (British 1910-1983) - Arundel Castle, watercolour, pen and ink, signed lower right, 31cm x 49cm, unframed.

William Heaton Cooper (British 1903-1995) – Bigland Tarn: a winter lake scene, pencil and watercolour, signed lower left, inscribed on typed label verso, 23.5cm x 33.5cm, within a silvered wooden frame.

Hans Feibusch (German 1898-1998) - Study for the Trinity in Glory at St. Albans, Holborn, pencil and ink, squared for transfer, signed with initials and dated 5.6.65 lower right, 67cm x 39cm within a stained wood frame.

Ronald Ossory Dunlop (Irish 1894-1973) – Figures in a Sussex landscape, oil on canvas, signed lower right, 56cm x 40cm, within a plain oak frame.

Charles Wyatt Warren (Welsh 1908-1993) - Anglesey, oil on board, signed lower left, inscribed verso, 25cm x 55cm, within a white painted frame.

Harold Mockford (British 1932-2023), - ‘The Long Man (Wilmington)', oil on canvas, signed, inscribed and dated ’03 verso 40cm x 50cm, within a plain wooden frame.

Clive McBain (British contemporary) - Sussex signpost pointing to Selham, Lodsworth, West Lavington and Midhurst, acrylic, signed lower right, 65cm x 65cm, within a white painted frame. Note: the artist studied Fine Art at the Willesdon College of Art and then Graphic Design at Brighton College. He has held solo exhibitions at Petworth House.

Patrick Procktor (Irish 1936-2003) – ‘Bike Boy’, 20th century watercolour with crayon, signed and dated ’89 recto, titled Contemporary Art Society Market label verso, 24cm x 33cm, within a silvered frame. Provenance: Contemporary Art Society Market, 1989.

Patrick Procktor (Irish 1936-2003) – Still Life with Tulips in a Vase, 20th century watercolour with ink, sheet size 22.5cm x 17.5cm, within a painted wood frame. Provenance: purchased from Frederick Charles Art, May 2020.

Alan Davie (Scottish 1920-2014) – ‘Untitled OG 3958’, oil on paper, signed and dated 2012 recto, Gimpel Fils label verso, 18cm x 23.5cm, within an ebonized frame. Provenance: Gimpel Fils, stock code GF15470.

Lilian Strang Neilson (British 1938-1998) – Moon Saucer, oil on board with collage, 30cm x 45cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956–60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever-changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson (British 1938-1998) – Fishermen, oil on board, 18.5cm x 55.5cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956–60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Robert Organ (1933-2023) - In the Tropical Birdhouse, oil on canvas, signed and dated 1983 verso, 149cm x 102cm, within a stencilled painted black frame.

Stephen Mangan (British b.1964) – ‘Fishing Boat’, oil on canvas, artist’s name and title to Richard Hagen Fine Paintings label verso, 19.5cm x 19.5cm, within a painted wood frame.