Art Pottery

A Ruskin pottery high-fired two-handled vase, circa 1927-1933, the cylindrical body and narrow neck with splashed and spotted green glaze over a mottled red and purple ground, impressed 'Ruskin England' to base, height 25.3cm.

A Ruskin pottery crystalline glazed bowl, circa 1932, of circular form with metal mounted rim, the body covered in a blue, orange and green streaky glaze, impressed 'Ruskin England 1932' to base, diameter 20.8cm.

A George Cartlidge pottery plate, dated November 1921, painted with a foliate scrollwork design in shades of blue against an ochre ground around a central medallion, green painted mark to reverse 'Geo Cartlidge Rudyard Nov:1921', diameter 20.8cm.

A pair of Burmantofts faience vases, 1882-1904, each cylindrical neck incised with vertical motifs flanked by two scroll handles above a globular body, tubelined and incised with opposing crows grasping snakes with their talons, within a surround of Persian style flowers against a terracotta coloured ground, on a circular foot, impressed and painted factory marks and numbered '2062' to bases, height 30.5cm.

A William de Morgan pottery vase, circa 1888-1897, of urn form with narrow neck, decorated by Joe Juster with a Persian foliate design in blue, green and turquoise, impressed Sand's End wing mark and painted 'JJ' decorator's initials and numbered '2289' to base, height 21.5cm (chipped to rim).

A William de Morgan red lustre tile, Merton Abbey period, circa 1882-1888, painted with a Persian flower design, impressed oval mark to reverse, 15.2cm x 15.2cm (chip to one corner).

A Doulton Lambeth Art Union of London stoneware jug, late 19th century, by Mark V. Marshall, the cylindrical body with wavy rim, decorated in relief and tubelined with a band of blue and brown stylized seed heads and scrolling leaves against a buff ground between mottled brown borders, flanked by a foliate scroll and beaded handle, impressed factory marks and incised monogram to base, height 26cm.

A stoneware vase, late 19th century, probably by Fulham Pottery, the gently tapered cylindrical neck incised with brown scrolling leaves against a blue ground above a bulbous body, incised in blue and brown with birds amongst scrolling leaves against a mottled buff ground, on a circular foot, the rim and base fitted with metal mounts, height 26cm.

A pair of Doulton Lambeth faience vases, 1873-1891, by Helen A. Arding, each flared neck and tapering body painted with stems of white penstemon against a dark blue ground between brown borders, impressed factory marks, painted monogram and '777' to bases, height 30cm (restoration).

A Doulton Lambeth faience vase, 1873-1891, by Mary M. Arding, with narrow tapering neck above a bulbous body, painted with fruiting and flowering orange branches against a mottled olive green ground, impressed factory mark, painted monogram and '735' to base, height 20.5cm.

A Doulton Lambeth faience baluster vase, late 19th century, by Alberta L. Green, painted with blossoming branches against a dark blue ground between light brown borders, printed factory mark, painted monogram and '703' to base, height 29cm.

A Doulton Lambeth faience vase and cover with tapering finial, 1873-1891, by Mary M. Arding, the shouldered ovoid body painted with stems of yellow daisies against a dark green ground, flanked by two upright handles, on a circular foot, impressed factory mark, painted monogram and '1592' to base and lid interior, height 21cm (hairline cracks to rim).

A Haviland & Co. Limoges Céramique Impressioniste Barbotine French pottery vase, circa 1880, of bulbous shape with short neck and everted rim, painted by Philibert-Leon Couturier, monogrammed, with a chicken against a mottled brown ground, impressed 'Haviland & Co. Limoges' to base, height 28cm (rim restored).

A Céramique Impressioniste Barbotine French pottery vase by Dominique Grenet and Eugène Girardin, circa 1880, of shouldered rectangular form, the short neck applied with angular handles with trailing ends, painted to one side with two birds perched amidst blossom, to the reverse with a butterfly hovering near blossom, against a mottled pale blue ground, the interior with a striking blue glaze, black painted monogram and signature to base, length 33.5cm (haircrack).

A Montigny-sur-Loing Céramique Impressioniste Barbotine French pottery vase, circa 1880, by Eugène Schopin, of shouldered cylindrical form, painted with a spray of flowers against a mottled green ground, impressed and painted factory marks to base with 'A' monogram, height 21cm.

A Haviland & Co. Limoges Céramique Impressioniste Barbotine French pottery vase, circa 1880, of flattened oval shape with small relief stylized fan handles, painted by Philibert-Léon Couturier, monogrammed, with two chicks against a mottled ground, impressed 'Haviland & Co. Limoges' to base with numerals '34', height 27cm (minor restored spot to rim).

A Montigny-sur-Loing Céramique Impressioniste Barbotine French pottery vase, circa 1880, of high shouldered shape with long neck, painted with clusters of white flowers and spiky leaves against a mottled blue ground, black painted factory mark to base with 'H.G.C' (?) monogram, height 39.5cm.

A Haviland & Co. Limoges Céramique Impressioniste Barbotine French pottery vase, circa 1880, of flattened oval shape with three apertures, painted by Emile-Justin Merlot, monogrammed, with a landscape view of a river with a person in a boat, to the reverse a green and blue streaked ground, within brown glazed sides, impressed 'Haviland & Co. Limoges' to base with numerals '55 4', height 19cm (some faults).

A Haviland & Co. Limoges Céramique Impressioniste Barbotine French pottery vase, circa 1880, of flattened circular shape, painted in the style of Bocquet with pink roses, applied with relief leaves, against a mottled green ground, impressed 'H & Co L' to base with numerals '45 4', height 18.5cm (minor restoration to relief detail).