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http://www.tooveys.com/sale-results/antiquarian-and-collectors-books/2284/3/
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LOT 3055
LOT 3055
DONOVAN, Edward. The Natural History of British Insects. London: for the Author and for F. C. Rivington, 1792-1813. 16 vols. in 8, first edition, 8vo (236 X 136mm.) 8 half-titles present, 576 hand-coloured engraved plates, including 9 uncoloured plates, extra-illustrated with 60 further engraved plates hand-coloured and signed by Anne Eliza Rudge and a few signed by A.E. Pole [Charles Pole], all of them bound-in according to Stephens’ classification [James Francis Stephens], the corresponding text leaves also have insect name and plate number in manuscript, 28pp. of handwritten indices to rear of vol. 8 bound-in before printed indices, also in the same hand. (Plates not bound in Donovan’s numerical order, toning, occasional spotting and browning, lacking errata leaves.) Near contemporary brown full morocco, gilt ruled, gilt lettering to spines (extremities rubbed, upper joint of volume 8 splitting). Note: the hand-written index has two columns and it cross-references the classification of Donovan’s taxonomy with Stephens’. Anne Eliza Rudge was the daughter of Anne Rudge, wife of the botanist Edward Rudge, and herself a botanical illustrator. Anne Eliza Rudge married Charles Pole in 1824 and a few of the plates are signed A.E. Pole. All but two of Anne Eliza Rudge’s plates are copies of parts of the original figures but made necessary by arranging according to Stephen’s classifications. The two new figures are both of larvae and they are plate 200 and 439 (8).
Hammer price: £1,600
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LOT 3064
LOT 3064
ETCHINGS. – George CUMBERLAND Jnr. [Views in Spain and Portugal, Taken During the Campaigns of His Grace the Duke of Wellington. N.p.: circa 1818.] Limited edition, one of only 30 copies, oblong 4to (256 x 373mm.) 10 soft-ground captioned etched plates of views in Spain and Portugal on Whatman Paper. (Lacking title and 2 plates, a soft crease to middle of all plates, occasional finger-mark or minor soiling to margins.) Original card wrappers (stain to upper cover and a crease, chipped to extremities and upper cover loosening). Note: very rare. Dated to the paper’s water-mark, 1818. George Cumberland Jnr. was the son of the painter George Cumberland. Like his father and William Blake- with whom he was close friends- George was interested in experimental print-making. He exhibited at the Royal Academy in 1816-18. Prior to this, he followed Wellington’s troops in Spain and Portugal at the time of the Peninsular War. Cumberland drew 12 views and he first published them [circa 1818] in a series of 30 copies, of which this is one. There’s a copy in the British Library and one in the Biblioteca Nacional de Portugal. In 1823, he reworked these images, added a further seven, and William Nicol published them in an edition of 100.
Hammer price: £180
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