Fine Art

John Yardley – Storm Clouds at Pin Mill, Suffolk, 20th century watercolour, signed recto, titled label verso, 32cm x 47cm, within a gilt frame.

Linda Charles – ‘Stand and Deliver’, 21st century mixed media on board, signed recto, Buckingham Fine Art labels verso, 90cm x 60cm, within an ebonized wood frame.

Dean Martin – ‘See No Evil’, ‘Hear No Evil’, ‘Speak No Evil’, three acrylics on board, all signed, titled and dated 2020 verso, each 50cm x 50cm, all within painted wood frames.

Hue Folk – ‘Chip and Pin Xpress’, mixed media on board, signed with monogram and Buckingham Fine Art labels verso, 61cm x 91cm, within a painted wood frame.

William Anslow Thornley [William Anslow Thornbery] – Shipping on the Medway near Chatham, late 19th/early 20th century oil on canvas, signed, 29cm x 24cm, within a stained wood frame.

James Campbell Noble – Portincross Castle, Ayreshire, 19th century oil on canvas, signed and dated ‘93, 28.5cm x 44cm, within a gilt composition frame.

After Charles Robert Leslie – Sancho Panza in the Apartment of the Duchess, late 19th/early 20th century oil on canvas, 70cm x 90.5cm, within a gilt composition frame.

Charles A. Browning – Still Life with Grapes, Wine Glass and Casket on a Ledge, oil on canvas, signed and dated 1955, 50cm x 39.5cm, within a gilt frame.

Leslie Carr – ‘Sunlander 1200’ (Diesel Locomotive Train), 20th century oil on canvas-board, signed, 39cm x 49.5cm, within an oak frame.

British School – Half Length Portrait of William Melcalfe, 19th century oil on canvas, 75cm x 62cm, within a gilt composition frame. Note: according to a letter accompanying the painting, Willia Melcalfe was a sailor from Bramhope, Yorkshire, who was captured by the French, along with his ships, during the Napoleonic wars.

J.D. Knight - Coastal View with Figures on The Shore, late 19th century oil on canvas, signed recto, label verso, 75cm x 125cm, within a gilt composition frame with foliate crestings.