Fine Art

John Henry Sylvester – Half Length Portrait of a Lady wearing a Wide-brimmed Hat, possibly the artist’s daughter, 19th century oil on canvas, signed with monogram and dated ’87, 59.5cm x 49.5cm, within a gilt composition frame of wide section with foliate strapwork and corner crestings.

John Henry Sylvester – Self Portrait with Palette, 19th century oil on canvas, signed with monogram verso, 75cm x 65.5cm, within a stained wood frame.

Follower of Richard Parkes Bonington – Coastal Landscape with Sailing Vessels and Fishermen, 19th century oil on canvas, 45cm x 70.5cm, within a swept gilt composition frame.

Ebenezer Colls – Sailing Vessels in Choppy Waters off a Coast, 19th century oil on canvas, signed, 29.5cm x 49.5cm, within a gilt composition frame.

Attributed to William Anslow Thornley [William Anslow Thornbery] – View on the Medway with Sailing Vessels and Figures on a Beach, 19th century oil on canvas, 24cm x 44.5cm, within a gilt composition frame.

George Dodgson Callow – Coastal Landscapes with Sailing Vessels and Figures, a pair of 19th century oils on canvas, both signed and dated 1868, each 29.5cm x 55cm, both within gilt composition frames.

Abraham Rademaker – Landscape with Church, Figures and Horses, 18th century watercolour with gouache, signed, 16.5cm x 27cm, within a gilt composition frame.

Follower of J.M.W. Turner – Classical Harbour Capriccio, late 19th/early 20th century oil on canvas, 75cm x 98.5cm.

Victor Philippe Fr. Lemoine-Benoit – ‘100 meter dessus de la Terre’ (Hot Air Balloon ascending with Figures in a Field near a Village), 19th century oil on panel, signed and titled, 35.5cm x 26.5cm, within a gilt composition frame.

Clayton Adams – ‘Young Anglers’, late 19th/early 20th century oil on canvas, signed, 29cm x 39.5cm, within a gilt composition frame with titled inslip.

John Henry Dell – ‘Collecting the Eggs’, 19th century oil on board, signed with monogram, 29.5cm x 24.5cm, within a stained wood frame.

Circle of John E. Ferneley – Study of a Bay Horse in a North African or Middle Eastern Landscape, 19th century oil on panel, 39.5cm x 51cm, within a gilt frame.

Renato Moretti – Tea with a Cardinal, 19th century watercolour, signed, 53cm x 35.5cm, within a gilt composition frame.

Circle of Augustus Leopold Egg – Portrait of a Young Lady wearing a White Lace Dress, Crucifix and holding a Fan, 19th century watercolour with gouache, 40cm x 32cm, within a gilt composition frame.

W.H. Wilkinson – View of a Lake with Houses, late 19th/early 20th century watercolour, signed, 47.5cm x 73.5cm, within a gilt composition frame.

Caroline Frances Jane Armstrong [Carr Armstrong] – Landscape Studies, six early 20th century oils on board, four signed recto, each 13.5cm x 21cm, all within ebonized frames, three within a glazed case with labels verso. Note: Caroline Armstrong (1845-1937) studied painting at the Royal Academy Schools in 1881. She went on to exhibit several times at the Royal Academy Summer Exhibitions as well as at the Doré Gallery and was elected a member of the Royal Society of Miniature Painters, Sculptors and Gravers.

Arthur Batt – Two Donkeys in a Landscape, 19th century oil on canvas, signed and dated ’80, 16.5cm x 24cm, within a gilt frame.

William John Huggins – ‘Beach Scene at Brighton in Sussex’, early 19th century watercolour, labels verso, 12.5cm x 20.5cm, within a gilt frame.

Mildred Anne Butler – Landscape with Trees and Flowers, late 19th/early 20th century watercolour, signed with initials, 25.5cm x 17cm, within a painted wood frame.