British and Continental Ceramics

An English delft charger, probably Bristol, circa 1760, painted in blue, green and red with an insect flying in a garden beside a pagoda type building, the rim with stylized foliage, diameter 33.5cm (some faults).

A metal mounted Longwy style oil lamp base, circa 1900, the bulbous pottery reservoir with foliate panels separated by vertical foliate borders against a turquoise ground, with brown patinated metal stem, foot, base and rim, overall height 27cm.

A French Lebeuf, Milliet & Cie blue printed earthenware bear's grease pot and cover, 19th century, the lid decorated with a bear and inscribed 'Graisse d'Ours du Nord' above 'Edd. Pinaud. 230 Rue St Martin, Paris', the sides decorated with bears in a continuous landscape, black printed and incised factory marks to base and underside of cover, height 6cm (faults).

A Royal Worcester reticulated cup and saucer, circa 1875, of double-walled construction, in the style of George Owen, pierced with a honeycomb design heightened with gilt dots at each intersection, glazed in pale pink reserved with red enamelled panels, the rims detailed with a gilt pattern heightened with red enamel and turquoise 'jewels', with bamboo-form handle, impressed mark to base of saucer, diameter of saucer 15.8cm.

A Royal Worcester porcelain inkwell, liner and cover, dated 1863, the circular ivory glazed body moulded with three brown glazed masks alternating with three polychrome enamelled and gilt caryatid supports with paw feet, raised on a shaped base, green printed factory mark, height 11cm.

A Meissen floral encrusted diminutive cabinet cup and saucer, circa 1900, painted to the interior with scattered blooms, underglaze blue crossed swords marks to bases with impressed and incised numerals, diameter of saucer 10.5cm, together with a Helena Wolfsohn Dresden yellow ground cabinet cup and saucer painted with figures and flowers.

A Meissen porcelain chamberstick figure, late 19th century, modelled as a diminutive dancing lady before an array of flower encrusted branches hiding a ring handle to the reverse, raised on a naturalistic base with scroll moulded detail picked out in pink and turquoise enamels with gilt highlights, crossed swords mark in underglaze blue to base with incised and impressed numerals, height to top of figure 12cm (faults and losses), together with a pair of Teichert 'Meissen' porcelain pierced dishes painted with figures and floral panels, diameter 23cm.

A 'Vienna' porcelain cabinet plate, probably Hohenberg (Hutschenreuther, Bavaria), circa 1900, painted by Wagner, signed, with a semi nude mountain nymph perched on a rocky ledge, titled 'Oreade' (sic) to reverse, the cobalt blue rim heavily gilt with foliate medallions within foliate scrollwork edged with white enamelled dot borders, indistinct impressed mark, underglaze blue 'Vienna' mark and black script title, diameter 24.3cm.

A large and a small pair of Staffordshire pottery spaniels, late 19th/early 20th century, typically modelled with iron red details and gilt collars and chains, 23cm and 16cm high, together with a Copelands China large circular footed bowl, decorated with flowers to the interior and exterior within gilt borders, diameter 29.5cm.

A mixed group of British and Continental porcelain, 19th and 20th century, including a pair of gilt decorated pharmaceutical storage jars and covers labelled 'HELBOR' and 'LENITIF', height 28cm, a pair of Moore Brothers posy vases modelled as putti pulling cactus flower applied cornucopia, height 17cm, a pair of Moore Brothers cactus flower small jardinieres, a Plaue pink rose encrusted pierced basket, a Nymphenburg two-handled pink ground pot painted with titled landscape views (lacking cover), a Derby two handled pot and cover painted with pink roses against a gilt trellis ground and a Sitzendorf floral encrusted pierced basket (faults and losses throughout).

A pair of Meissen underglaze blue decorated Onion pattern two-handled double-ended sauceboats, 20th century, crossed swords in underglaze blue to bases, length 24cm, together with a Teichert 'Meissen' Onion pattern two-handled dish, length 29cm, and a small group of other mostly blue printed English pottery, including a Mason's Vista pattern teapot and cover and a small Copeland Spode's Italian pattern teapot and cover (minor faults).

A Royal Dux Art Nouveau centrepiece bowl, early 20th century, modelled with a maiden seated on the edge of an oval foliate bowl raised on a naturalistic stem with another maiden beside holding aloft a bowl of grapes, applied pink triangle mark to base with impressed numerals '1099', height 52cm.

A pair of Paris porcelain rocaille vases by Edward Honoré, circa 1840, the black glazed baluster bodies painted with floral arrangements above small yellow ground floral panels, overall elaborately moulded with rococo scrollwork picked out in pink and green enamels and gilding and applied with shells, the column stems raised on scroll feet, gilt painted mark to bases, height 30.5cm (some faults), together with a pair of Vienna style porcelain urn shaped vases raised on pedestal bases, height 21.5cm.

A large pair of Coalport Imari decorated vases and covers, early 19th century, of tapered hexagonal shape with gilt dolphin head handles, the domed covers with gilt Buddhistic lion dogs, unmarked, height 40cm (restored).

A pair of Meissen style white glazed porcelain centrepieces, late 19th/early 20th century, both modelled with two putti with floral garlands on naturalistic floral encrusted bases before foliate columns supporting pierced oval baskets, cancelled underglaze blue crossed swords marks to bases, height 28cm (restored), together with a pair of Royal Worcester ivory glazed and bisque celadon porcelain posy vases modelled as a putto with a goat or a dog, impressed marks to bases, height 12.5cm (restored), a Mintons turquoise glazed aesthetic plate with pierced rim, enamelled with a central bird and a border of butterflies and blossom, diameter 24cm (restored), and a Continental porcelain gilt overlaid green ground floral painted part service, including twelve coffee cups and saucers and three teacups and saucers.

A small Meissen figure, 19th century, modelled as a standing putto playing a flute, raised on a gilt enriched scroll moulded base, crossed swords mark in underglaze blue with incised numerals and applied paper label, height 12cm.

A T.J. & J. Mayer Prattware Crimea War subject tankard, 19th century, printed to one side with a group of four portraits titled 'Balaklava, Inkerman, Alma', opposing a scene of war titled 'The Redoubt, Inkerman', within puce line borders, the rim interior with a band of fruiting vine, height 15cm, together with a pair of Prattware pot lids titled 'War' and 'Peace', framed, a similar pink ground loving cup printed with birds and a pink lustre decorated Staffordshire pottery jug (minor faults).

A Clarice Cliff Wilkinson Ltd Original Bizarre miniature vase, 1920s, the yellow ground with a wide band of blue and red triangles outlined in green, red script 'Bizarre' mark, green printed and indistinct impressed factory mark, height 6cm.

A Pilkington's Royal Lancastrian lustre pottery vase and cover, dated 1915, decorated by Richard Joyce, monogrammed, with a pattern of deer amidst leafy trees in a silvery/gold lustre against a shaded ruby to purple to blue ground, the shoulders with magenta ground band of lustre scrolls, the cover with overall lustre glaze, impressed marks to base with numerals '2920' and painted monogram and year mark, height 17cm.