British and Continental Ceramics

Four Lladro figures, comprising The Dressmaker, No. 4700, Lovers In The Park, No. 1274, Doctor, No. 1968, and Shepherd Boy with Dog, No. 4659, together with three Lladro swans, two conjoined Lladro doves, two Lladro duck groups and a Nao group of choir boys.

A mixed group of mostly Art Deco and Art Deco style British ceramics, early to mid-20th century, including a Clarice Cliff Odilon banded tureen and cover, a Crown Ducal Persian Rose bowl by Rhead, diameter 25.5cm, a similar charger, Carlton Ware, a Wilkinson's 'Pan's Garden' lustre vase, height 20cm, two pieces of Rubens Ware by Hancock & Sons, a Poole vase, a small group of Shelley teawares and a Crown Ducal Orange Tree pattern tea-for-two (minor faults).

A Royal Worcester ivory glazed tusk jug, circa 1891, shape No. 1116, height 22.5cm, a Royal Worcester two-handled vase, decorated with flowers, shape No. 1021, height 14.5cm, a Worcester floral decorated plate and a chinoiserie vase, two pieces of Graingers Worcester, a Locke & Co blush glazed jug, eleven Doulton figures, a Worcester figure and a Rye Chanctonbury Tales figure.

A mixed group of Continental pottery and porcelain, late 19th and 20th century, including a Royal Dux model of a blue and yellow parrot, perched on a white stand, length 38cm (repainting to underside tip of tail), a Bavarian group of two borzoi dogs, height 16cm, a small Cantagalli bowl and stand, a Meissen gilt enriched Imari painted teacup and two Karl Ens birds (minor faults).

A Royal Doulton stoneware vase, early 20th century, decorated with stems of white flowers against a mottled grey ground, impressed and incised marks to base, height 21cm, a Royal Lancastrian orange glazed vase, height 12cm, a Burmantofts yellow glazed jardinière, height 18cm, and a group of other ceramics and glassware, including a large Beswick pheasant, model No. 1225, three Royal Doulton Nursery Rhyme plates, a Poole vase, height 12.5cm, a Hereford China bird model and a Border Fine Arts model of a duckling and a frog.

A Derby porcelain figure, 19th century, modelled as James Quinn in the role of Falstaff, standing on a gilt enriched scroll moulded base, incised shape No. 291 to base and red painted factory mark, height 30cm (restored).

A Vienna porcelain style caddy, late 19th century, painted in the style of Herr, signed, with classical ladies to both faces of the shouldered rectangular body, blue painted pseudo beehive mark to base with impressed numerals, height 14.5cm, together with a Herend floral moulded and painted jardinière, height 14.5cm, a Herend Queen Victoria pattern teacup and saucer and a Dresden plate, height 21cm.

A small group of Caughley porcelain, late 18th century, comprising a Carnation pattern lobed dessert dish, length 27cm, a Three Flowers pattern sugar bowl with Fence pattern matched cover, a Fisherman pattern strainer with foliate handle, diameter 8cm (small chip to rim), a toy plate (repaired), a trio with cobalt blue and gilt foliate decoration, a teabowl and saucer, three coffee cups and two saucers in the Fisherman and Cormorant pattern, a Three Flowers cup and saucer and three other coffee cups, together with a small group of mostly Worcester blue and white teawares, various blue printed and painted marks (faults).

A pair of Worcester Mother and Child pattern blue printed teabowls and saucers, circa 1775, blue printed hatched crescent mark to bases, together with a small group of other late 18th century English porcelain, including a dry blue Worcester floral painted ribbed coffee cup, a black printed Ruins coffee cup, a Liverpool Two Quail pattern teabowl and two saucers and a gilt floral decorated cup, various marks (minor faults).

A Worcester coffee cup, painted with a Chinese figure, 1770s, seated beneath an iron red tree opposing a flowering plant, unmarked, height 6.3cm (chip to inner rim edge), a similarly painted Worcester coffee cup with three Chinese figures, a sparrow beak jug, height 8.3cm, and a Worcester Jabberwocky pattern coffee cup (minor faults).

A Worcester hexagonal teapot stand, circa 1770, painted with floral groups beneath a gilt shell edged cobalt blue rim, blue painted open crescent mark to base, length 14.5cm, together with a Flight Worcester oval teapot stand, marked in gilt 'No. 4', length 15.3cm, a Bow octagonal Kakiemon Two Quail pattern plate and a Bow floral painted and moulded dish, iron red painted anchor and dagger marks, length 19.5cm (dish and plate restored).

A pair of Chantilly porcelain plates, circa 1780, painted in blue with a central carnation within scattered sprigs and insects, the basketweave moulded rims edged in blue, underglaze blue painted and incised marks to bases, diameter 24cm.

A Royal Albert Old Country Roses pattern part service, factory seconds, comprising small teapot, cover and stand, three jugs, sugar bowl, seven teacups and ten saucers, nine tea plates, eight cereal bowls, two small dishes and two-tier cake stand (lacking fitting).

A Clive Bowen studio pottery two-handled baking dish with incised meander to the base interior, impressed seal mark to one handle, length 36cm, together with a dish with similar meander by Elizabeth Dunscombe, length 33cm.

A pair of studio pottery slipware dishes, probably by Robin Welch, of oblong shape with wavy line and dot decoration, lengths 26.5cm and 28cm.

A studio pottery teapot and cover, probably by Clive Bowen, brown glazed with a black panel of squiggles and line decoration to each side, height 18cm, together with a similar paler brown glazed example, impressed seal mark, height 17cm.

Four studio pottery slipware dishes, each of circular shape with a variety of squiggle and line decoration, one with a piecrust rim, the footed example marked 'CRICKLADE', diameter 28cm, the dark ground example marked 'Ffestiniog Pottery', diameter 28cm.

A Meissen figure emblematic of the sense Hearing, late 19th century, modelled after Schönheit as a lady seated at a piano, the shaped base with egg and dart type moulding picked out in gilt, crossed swords in underglaze blue and incised 'E1' to base with impressed and painted numerals, height 12cm (minor restoration).

A Royal Copenhagen Blue Fluted Full Lace pattern small coffee pot and cover, dated 1975-79, underglaze blue and green printed and painted marks to base, height 21cm, together with a similar pierced rim plate, diameter 25.5cm.