Asian and Islamic Ceramics and Works of Art

A pair of Chinese blue and white export porcelain octagonal plates, Qianlong period, each painted with flower sprays, width 24.3cm (one with hairline to rim), together with another blue and white export porcelain plate, Qianlong period, painted with two figures crossing a bridge and pavilions in a landscape, diameters 22.5cm.

A Chinese famille verte porcelain bombé censer, mark of Kangxi but later, the exterior painted with sprays of peach, pomegranate and Buddha's hand citron on an iron red scale ground, underglaze blue six-character mark to base, height 15.2cm.

A Chinese famille rose porcelain trick bowl, mark of Tongzhi but later, the exterior painted with figures in landscape, the interior with central well with pop-up figure of a bearded gentleman, red printed seal mark to base, height 8.3cm, diameter 8.9cm.

A Japanese Imari porcelain vase, Meiji period, of shouldered tapering form, painted with opposing ho-o bird and chrysanthemum iron red ground panels, divided by underglaze blue and white peony and trellis panels, height 30cm.

A Chinese famille rose porcelain circular plaque, late Qing dynasty, painted with a maiden seated in a pleasure barge approaching three figures standing at the shoreside, diameter 29cm.

A pair of Japanese Satsuma earthenware vases, Meiji period, each baluster body painted and gilt with opposing panels of samurai and rakan within moulded framing, reserved against a ground of further figural and simulated brocade panels, gilt and black signature and Shimazu mon to bases, height 19.5cm (chip to rim of one), together with a Satsuma earthenware koro by Kusube, Meiji period, decorated with figural and floral panels, gilt and iron red signature to base, height 10.6cm (lacking cover).

A Japanese carved wood stick, Meiji period, decorated in relief with noh masks, length 42.2cm.

A pair of Japanese Satsuma earthenware vases by Taniguchi, early 20th century, each baluster body painted and gilt with a kingfisher flying between wisteria and chrysanthemum in a lakeside landscape, gilt and black signature including Shimazu mon and applied 'Y. Taniguchi' paper label to base, height 31.4cm.

A Japanese Imari porcelain circular dish, Edo period, the interior painted and gilt with chrysanthemum within a border of Buddhistic lions, peony and leafy stems, the underside with blossoming prunus branches, diameter 39.7cm.

A Chinese Shiwan pottery sang-de-boeuf glazed figure of an immortal, mid-20th century, modelled seated on a rock ledge, unsigned, height 29cm.

A Chinese carved hardwood figure of the immortal Li Tieguai, early 20th century, modelled standing with his right foot resting on an iron crutch, height 57cm.

A Chinese fahua-style enamelled biscuit porcelain jar, late Qing dynasty, of stout ovoid form, slip-trailed with a band of immortals on a blue ground beneath characters on a yellow band to shoulder, height 22.5cm (repaired), with wood cover and stand.

A Chinese blue and white crackle glazed porcelain rouleau vase, late Qing dynasty, painted with immortals and attendants, height 61.5cm (repaired neck and rim, converted to a table lamp).

A Chinese famille rose export porcelain bowl, Qianlong period, painted with figural panels reserved against a blue ground filled with flowers, diameter 23.4cm (repaired), together with a small group of other Chinese porcelain, including eight bird feeders and a Chinese lacquer games box (some faults).

A Chinese watercolour painting, early 20th century, depicting a study of a cockerel, black signature and red seal, 48cm x 31.3cm, framed and glazed.

A Chinese blue and white porcelain ginger jar, mark of Kangxi but late 19th century, painted with prunus, underglaze blue four-character mark to base, height 12.5cm, together with two Chinese green glazed pottery pillows, heights 17.4cm and 17.8cm, and two vases, heights 24cm and 25.5cm (blue and white vase cracked). Provenance: the property of a West Sussex private collector.

Katsushika Hokusai (1760-1849) - a Japanese woodblock oban yoko-e print, originally published in 1834, depicting the Drum Bridge at Kameido Tenjin Shrine from the series Remarkable Views of Bridges in Various Provinces, with Nishimuraya Yohachi red publisher's seal, 24.5cm x 36cm, framed and glazed, together with three other Japanese woodblock oban tateye prints, including two by Toyokuni III (Utagawa Kunisada), each depicting a standing actor, circa 1847-50, framed and glazed.

A Chinese cloisonné vase, late 20th century, of swollen cylindrical form, decorated with pink flowers on a green ground, height 41cm, with stand.

A Chinese hardstone flower arrangement, 20th century, the cloisonné oval planter decorated with lotus and precious vessels on a turquoise ground, height 52.5cm (minor faults).