Fine Art

Jorge Aguilar-Agon - Coastal View with Figures and Beached Boats, 20th Century oil on canvas, signed, approx 40cm x 60cm.

John Beer - 'The Struggle for the Cambridgeshire' and 'Finish for the Cesarewitch Stakes, Black Sand Winning', a pair of watercolours with gouache, signed, titled and dated 1902, each approx 25cm x 35cm.

Nicholas Visscher - Orbis Terrarum, Double Hemisphere Map of the World within a Border of Female Figures Allegorical of the Continents, mid/late 17th Century engraving with near period colour, approx 31.5cm x 46.5cm, within a stained wood frame.

Robert Walton - [Maps of Four Continents:] 'A New, Plaine, and Exact Map of America, described by N.I. Visscher, and don into English, enlarged, and corrected, according to I. Blaeu...' (Map of North and South America contained within a panelled border of cities, indigenous people and explorers, including Francis Drake and Christopher Columbus), 'A New, Plaine, and Exact Map of Asia described by N.I. Vischer...' (Map of Asia contained within a panelled border of cities, indigenous people and kings), 'A New, Plaine & Exact Map of Europe...' (Map of Europe contained within a panelled border of cities, figures in national costume, kings and emperors, including King Charles II), and 'A New, Plaine, & Exact Mapp of Africa...' (Map of Africa within a panelled border of cities, indigenous people and kings), four mid-17th Century monochrome copper-plate engravings, sheet sizes approx 42.5cm x 54.5cm, 43cm x 54.5cm, 43cm x 54.5cm and 43.5cm x 54.5cm respectively. Note: as these scarce, separately published maps of the continents are unframed, they are zero rated for V.A.T., which therefore will not be added to the Buyer's Premium.

Antoine Coypel - Patrons drinking in an Artist's Studio, early 18th Century sanguine, approx 22cm x 16cm, within a gilt frame.

Salomon Corrodi - Two Figures outside a Villa, late 19th Century watercolour over pencil, signed and inscribed 'Roma', approx 23cm x 33.5cm.

Oliver Clare - Still Life Studies of Fruit, including Grapes and Berries, in Naturalistic Settings, a pair of late 19th/early 20th Century oils on canvas, both signed, each approx 24cm x 19cm, both within reeded gilt frames.

T. Riley - Mother beside her Baby wrapped in Blankets, late 19th Century oil on canvas, signed, approx 35cm x 24.5cm, within a gilt composition and black painted frame.

Mid-19th Century British School - Tondo View of a Lighthouse on a Rocky Outcrop, oil on board, diameter approx 28.5cm, within a gilt frame.

After Anthony van Dyck - Oval Miniature Head and Shoulders Portrait of King Charles I, 18th Century oil on copper panel, approx 8cm x 6cm, within a painted frame.

Bryant - Oval Miniature Bust Length Portrait of a Lady, late 19th/early 20th Century watercolour on ivory, signed, approx 7.5cm x 6cm, within an ebonized frame.

W.E. Turner - 'Returning from the Fair', 19th Century oil on canvas, signed with initial recto, titled label verso, approx 37.5cm x 58cm, within a gilt composition frame.

Follower of Giovanni Paolo Pannini, 18th Century Italian School - Interior View of St Peter's Cathedral, Rome, oil on canvas, approx 40.5cm x 37cm, within a gilt composition frame.

Philip Eustace Stretton - 'On Guard' (Study of a Dog sleeping beside a Hamper), oil on canvas, signed recto, titled verso, approx 35cm x 45cm, within a gilt composition frame with acanthus leaf and flowerhead mouldings.

Circle of Henry William Pickersgill - Half Length Portrait of a Lady holding on Open Book, early/mid-19th Century oil on canvas, approx 75cm x 62cm, within a gilt composition frame with acorn and oak leaf mouldings and sanded hollow.

Henry H. Parker - 'The Lledr River, Betteweg Coed, North Wales', late 19th/early 20th Century oil on canvas, signed recto, titled verso, approx 49.5cm x 74.5cm, within a gilt composition frame.

After Giovanni Battista Salvi da Sassoferrato - Virgin Mary in Prayer, 19th Century oil on canvas, approx 72.5cm x 57cm, within a gilt frame.

Edmund John Niemann - Figure on a Country Track, late 19th Century oil on canvas, indistinctly signed, approx 45cm x 60cm, within a gilt composition frame.

William Alfred Gibson - Landscape with a Woman in a Punt and Windmills, oil on canvas, signed, approx 44cm x 53.5cm, within a gilt composition frame with cartouche crestings united by scrolls.