Collectors’ Items, Works of Art and Light Fittings

A 19th century Sunday golf walking stick, the head with a lead back weight, with tapering rosewood shaft and brass mounted tip, length 89cm. Provenance: from the estate of the late Alistair Morris.

A hickory-shafted long-nose golf club with lead back weight and brass base plate, impressed 'T. Dunn', length 110cm, together with another club marked 'Maxmo', length 90cm. Provenance: from the estate of the late Alistair Morris.

A collection of twenty-one mostly early 20th century golf woods, one marked 'Duncan Special' and inset with a bone face plate, others marked 'Stokes, London' and 'C.H. Clary', together with two canvas golf bags. Provenance: from the estate of the late Alistair Morris.

A collection of fifteen mainly early 20th century wooden-shafted golf putters, including Cooper's Hyphenstock, two Ben Sayers, Jack Morris and Edwin Bradbeer. Provenance: from the estate of the late Alistair Morris.

A collection of fourteen early 20th century hickory-shafted niblicks, mashies and other lofted golf clubs, including examples by J. Sherlock, W. Robertson, Forgan & Son, S.W. Hockins and James Braid. Provenance: from the estate of the late Alistair Morris.

A collection of twenty-one early 20th century mainly hickory-shafted golf irons, including examples by P. Beal of Cuckfield, Anderson's Lotsirb, R. Mundy, Gibson & Co, Cann & Taylor and R. Forgan & Son 'Scotia', together with a single club head. Provenance: from the estate of the late Alistair Morris.

A group of nine mallet headed golf putters, including a Harry Clee & Co Braid-Mills, a Standard Golf Co. Mills' patent medium lie model, a Cassidy's Vee putter and a Dellands Dynamic, together with a group of other various golf clubs. Provenance: from the estate of the late Alistair Morris.

A rare patent steel socket putter by George Bussey, London, with brass head and hickory shaft, length 88cm. Provenance: from the estate of the late Alistair Morris.

An early 20th century brown leather travelling hat box, the hinged lid initialled 'A.A.T.', the side bearing White Star Line label, height 28cm, width 43cm.

A group of four gentlemen's hats, comprising a white cowboy hat, marked 'The Buckaroo', within a green Stetson box, a black cowboy hat, a black bowler and a green felt fedora by Christy's.

After Antonio Canova - Psyche revived by Cupid's Kiss, an early 20th century coloured cast plaster figure group, bearing applied titled plaque, width 43cm, together with a similar portrait bust and an oval plaque.

A collection of seven late 19th century and early 20th century table oil lamps, including a brass Veritas lamp and two with cut glass reservoirs.

An early 20th century moulded glass table oil lamp and a small group of other oil lamps, reservoirs and accessories.

A mid-20th century chromium plated and leather bound two-draw telescope by Negretti & Zambra Ltd, No. 49820, marked 'Orion Spotter' to barrel, together with a Maelzel metronome, a late 19th century ivory page turner, a pair of bone mounted opera glasses and a fur covered purse.

An early/mid-20th century cast metal pendulum scale, the white enamel dial marked 'Concav', together with two other pendulum scales and a small group of collectors' items.

A Doulton & Co stoneware improved footwarmer with transfer printed maker's details to both sides, length 22cm, together with a group of seven other similar stoneware warmers.

An early 20th century black stained crocodile skin travelling vanity case, the interior fitted with six silver topped glass bottles, London 1920, together with a silver mounted crocodile skin folding wallet, London 1883 by G.H. James & Co, width 22cm, a pair of silver and tortoiseshell hairbrushes, a shoe horn, a comb and manicure implements (some items missing).

After Auguste Moreau - 'L'amour au Papillon', a late 19th century patinated spelter figure of Cupid holding a torch aloft, the base bearing titled plaque, height 50cm, together with a pair of late 19th century spelter figures.

A pair of late Victorian cast and pierced brass tazzas, each inset with a reverse printed glass tondo panel of 'Guys Cliff' and 'Shakespeares House', raised on foliate bases, diameter 20.5cm, together with a late Victorian cast brass ink standish.