Art Pottery

An impressive salt glazed stoneware garden strawberry planter, finely modelled as a naturalistic moss-covered tree stump, circa 1868 and attributed to W. Hudspith, South Tyne Works, Haltwhistle, Northumberland, bearing impressed lozenge registration mark, numbered '219 129', height 110cm. Note: these tree stump planters were well known in the area of Northumberland and it was seen as a status symbol to have one displayed in your garden.

An impressive salt glazed stoneware garden strawberry planter, finely modelled as a naturalistic moss-covered tree stump, circa 1868 and attributed to W. Hudspith, South Tyne Works, Haltwhistle, Northumberland, bearing impressed lozenge registration mark, numbered '219 128', height 68cm. Note: these tree stump planters were well known in the area of Northumberland and it was seen as a status symbol to have one displayed in your garden.

A Doulton Lambeth stoneware vase, dated 1878, decorated by Florence Barlow, monogrammed, the ovoid body with vertical leaves alternating with stylized fans, against a blue ground, incised and impressed marks to base, height 21cm.

A Royal Doulton Lambeth stoneware Art Nouveau vase, the tapered ovoid body decorated with a band of leafy stems with berries between chequerboard borders above a striped body, impressed and incised marks to base, height 25cm, together with a Doulton Lambeth stoneware vase, height 25cm (haircrack to neck).

A Royal Doulton stoneware Art Nouveau candlestick, early 20th century, the swollen cylindrical stem decorated with stylized leaf motifs between the circular drip tray and foot, impressed and incised marks to base, height 18.5cm, together with a similarly glazed Doulton inkwell.

A pair of Doulton faience pottery vases, dated 1898, the ovoid bodies decorated by Mary M. Arding, monogrammed, with white clematis against a pale lemon ground, turquoise glazed interiors, impressed and painted marks to bases, height 23cm.

A Della Robbia Pottery bottle vase, circa 1900, painted with flowering stems of geranium against green oval panels and a darker green ground, with onion shaped guglet type swelling to the neck, incised and painted marks to base with monogram 'ELL' and black painted cypher, height 35cm (repaired neck).

A large Della Robbia Pottery two-handled vase, circa 1900, probably designed by Charles Collis, decorated by Lizzie Wilkins, the high-shouldered body with tall stems of Art Nouveau tulips in shades of green against a blue ground, flanked by green glazed loop handles, incised and painted marks to base with numerals '846', height 30.5cm (glued repair to neck rim and with lampbase fitting).

A pair of Ashby Guild stoneware vases, 1909-22, the swollen cylindrical bodies with everted rims and spreading feet, both covered in a streaked blue glaze over a dark green ground, impressed mark to bases, heights 29.5cm and 30cm.

A Ruskin pottery lustre vase, early 20th century, the baluster body painted with trailing green fruiting vine to the shoulders against a yellow ground, impressed marks to base with painted scissor mark, height 18cm.

A Royal Lancastrian pottery vase, early 20th century, the high-shouldered body covered in a running orange vermillion glaze, impressed marks to base with numerals '199', height 26.5cm.

A Ruskin Pottery crystalline glazed circular yellow bowl, dated 1933, impressed mark to base, diameter 20cm, together with two similar Ruskin blue glazed bowls, dated 1927, impressed marks to bases, diameter 16cm.

An Italian Art Nouveau two-handled pottery vase, circa 1900, the squat bulbous body with flared neck, relief decorated with gilt enriched whiplash detail and flanked by naturalistic handles, covered in a simulated bronze glaze, impressed mark with 'VENEZIA' to base, height 10.5cm.

A pair of Minton porcelain chinoiserie style boxes and covers, circa 1870, designed by Christopher Dresser, of square shape, decorated with a turquoise ground panel to each face and raised on integral pseudo hardwood stands, unmarked, height 7.5cm (one cover broken in two, faults).