Prints, Maps and Posters

After L.B. Parkyns - 'Lisbon, seen from the Quinto da Torrinha Val de Pereiro', aquatint by W.J. Bennett with hand colouring, 39cm x 51cm, within a Hogarth frame.

Michael Kauffer - Scandinavia Complectens, engraved map with hand colouring, p.33.5cm x 39.5cm, within a mahogany veneered frame, together with a group of botanical engravings, each approx 24.5cm x 19cm (1 + loose prints).

James Gillray - 'A Cockney and his wife going to Wycombe'; 'Push-Pin'; 'Wide-Awake'; 'Fast-Asleep'; 'A Decent Story'; and 'Clearing a Five Bar Gate', a group of six engravings with hand colouring, four 21.5cm x 28cm; two 28cm x 21.5cm, within black frames (6).

William Lionel Wyllie (British, 1851-1931) & Edward Slocombe (British 1850-1915) - Collier discharging, etching, signed by both artists, 30cm x 53cm, within a black frame.

William Heath Robinson (British 1872-1944) - 'Flat Life, How sport is possible on a Saturday afternoon'; and 'Flat Life, How the tenant of the top flat can enjoy all the amenities of a back garden', a pair of reproduction prints, each 27cm x 19.5cm, within painted and gilded frames (2).

Chris Orr (British b.1943) - ‘….What is a Self Service Cafeteria?’, colour etching with aquatint, signed and dated 1974 lower right, titled lower centre, numbered 55/125 lower left, image 22.5cm x 54cm; together with an etching by the same hand, ‘A Department Store’, signed and dated 1971, inscribed with title and numbered 17/50, 27cm x 35cm, unframed (2).

Chris Orr (British b.1943) - 'Down on the farm with a little fiddle'; and 'Harvest home! The last sheaf', a pair of colour etchings with aquatint, both signed and dated 1971 lower left, titled lower centre, numbered 67/125 and 54/125 respectively lower right, with blindstamps, each image 17cm x 27cm, unframed (2).

British School (20th century) - The Thames at Westminster Bridge, colour lithograph, image 47cm x 72cm, unframed.

Rupert Shepherd (British 1909-1992) – 'The Serpentine', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 52/60 lower left, image 31cm x 25cm, unframed.

Rupert Shepherd (British 1909-1992) - 'The River Lea', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 48/60 lower left, image 27.5cm x 27.5cm, unframed.

Rupert Shepherd (British 1909-1992) - 'Putney Reach', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 27/60 lower left, image 24.5cm x 28.5cm, unframed.

Rupert Shepherd (British 1909-1992) - 'Policeman', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 23/60 lower left, image 30cm x 22.5cm, unframed.

Rupert Shepherd (British 1909-1992) - 'The District Line', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 23/60 lower left, with the corresponding numbered frontispiece from the original portfolio, image 24.5cm x 27.5cm, unframed.

Rupert Shepherd (British 1909-1992) - 'The Bus', colour linocut, from ‘London The Passing Scene’, published in 1975 by Patrick Seale Prints, signed lower right, inscribed and numbered 49/60 lower left, image 40cm x 29.5cm, unframed.

Wilfred Crawford Appleby (1889-1954) - 'Edinburgh Castle', early 20th century monochrome etching, signed and titled in pencil, 21cm x 30.5cm, within an oak frame, together with two etchings by Gabriel van Schnell and five further etchings by Kenneth Holmes, Paul Geissler, Ernest L. Hampshire, Henry Lambert and Frank H. Mason (8).

Ken Reed (British 20th century) - Morgan 70th Anniversary poster, colour screenprint, signed and numbered 10/70 lower right, 65cm x 49cm, within a silvered frame.

Bernie Fuchs (American 1932-2009) - A T & T, Pebble Beach: golfing scene, colour giclée print, signed and numbered 491/700 lower left, 46cm x 65.5cm, within a silvered frame.

Roland Suddaby (1912-1972) - Folly Houses, Darley Abbey, an original poster print for Britain's Landmark Series, 'You Can Be Sure Of Shell', 76cm x 114cm, unframed.

Laurence Stephen Lowry (British 1887-1976) - Yachts; Viaduct Street Passage; and Middlesbrough Town Hall, three colour reproduction prints, numbered 365/850, 719/850, 229/850 respectively, with blindstamps, the largest 44 x 58.5cm, within gilt frames (3).