Prints, Maps and Posters

Richard Reeve and John Hill, after John Massey Wright - 'The Triumphal Entry of the Allied Monarchs into Paris through the gate of Saint Martin on the 31st of March 1814' and 'The Meeting of the Allied Monarchs in the Grand Square after the ever memorable Battle of Leipsic Oct. 18, 1813', a pair of etchings with aquatint and later hand-colouring, published by Hassell & Rickards 1814, each 46.5cm x 57cm, both within maple frames.

Joy Kirton Smith - 'Three Dancers', 21st century colour print, signed, titled and editioned 175/295 in pencil recto, dated 2002 to Washington Green certificate verso, 64.5cm x 64.5cm, within a gilt frame.

After Henri de Toulouse-Lautrec - Jane Avril au Jardin de Paris, 20th century colour print, published by Athena Reproductions London, 80cm x 59cm, within a gilt frame.

Antoine Gaymard - 'The Old Castel of the Dukes of Savoy by night at Chambery, France', early 20th century etching with mezzotint in colours, signed, titled and inscribed in pencil, sheet size 51cm x 64cm, together with a quantity of mezzotints by Gaymard and other prints by different hands within four folios.

William Pether, after Thomas Frye - His Most Sacred Majesty George III King of Great Britain, and Charlotte, Queen of Great Britain, a pair of tondo 18th century mezzotints, diameter 18cm, both within gilt frames, together with Robert Field, after George Romney, 'Charles, Duke of Richmond', late 18th/early 19th century mezzotint, 25cm x 19cm, within a gilt composition frame, and one further engraving, 'Le Duc de Wellington' (Duke of Wellington). Provenance: the property of Michael Godfrey.

Boyd & Cannavan - 'The Crystal Palace, Hyde Park, for the Exhibition of Industry of all Nations, in 1851', engraving with hand-colouring, published circa 1851, 17.5cm x 44cm, within a stained wood frame.

John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.

Frederick Christian Lewis, after W.B. Noble - 'Views of Sidmouth', a pair of 19th century engravings with aquatint and later hand-colouring, both 18.5cm x 23cm, each within painted wood frames, together with four other engravings of Country Houses, all within frames. Provenance: the property of Donald Church.

J. Newton, after A. Buchan - 'View of a Village in the Bay of Good Success, in the Island of Terra del Fuego', 18th century copper engraving on laid paper, sheet size 26cm x 32cm, together with a quantity of mixed 18th and 19th century engravings, aquatints and lithographs. Provenance: the property of Donald Church.

Cooper, after Arrowsmith - 'Chart of the Pacific Ocean', engraving, published by Longman, Hurst, Rees & Orme 1808, sheet size 27cm x 41.5cm, together with a quantity of other engraved and lithographic maps, the majority of South Pacific, Asia and France interest.

Daniel Havell, after Henry Salt - 'Pagodas at Trinchicunum' (Tirukalukundram, Tamil Nadu, India), etching with aquatint and hand-colouring, published by William Miller circa 1808, 48cm x 62.5cm, within a gilt frame.

John Young, after George Morland - 'Rustic Ease', mezzotint with later hand-colouring, published by Young 1800, 39cm x 45.5cm, within a gilt frame, together with two other prints, 'Saturday Evening' and 'Sunday Morning'.

William Faden (publisher) - 'A Topographical Map of the Country Twenty Miles Round London, planned from a scale of two Miles to an Inch', engraving in 24 sections backed onto linen, published by Faden 1790, 62cm x 61cm, within a Perspex frame.

Admiralty (publisher) - 'Owers to Dungeness', late 19th/early 20th century engraving, 31cm x 102.5cm, within a gilt frame, together with a map of Sussex.

John Buckland-Wright - 'Faune II', engraving, signed, inscribed 'for Emile' and dated 1934 in pencil, 14.5cm x 8.5cm, within a limed wood frame.

William Nicholson - Hunting and Four-in-Hand, a pair of late 19th century woodblocks, gallery labels verso, each 22cm x 22cm, both within stained wood frames.

Joan Blaeu - 'Hantonia sive Southantonensis comitatus vulgo Hant-shire' (Map of Hampshire), 17th century engraving with later hand-colouring on laid paper, 49.5cm x 60cm, within a Hogarth style frame.

Richard Houston - Half Length Profile Portrait of John Gunning, wearing a Miniature on a Ribbon around his Neck, set between two sets of six circles labelled with the Virtues to left and Vices to right, mezzotint circa 1760, 13.5cm x 22cm, together with the copper printing plate, framed as one within a gilt frame.

David Young Cameron - Loch Lomond, Scotland, 20th century colour print, signed in pencil, 33.5cm x 49cm, within a gilt frame, together with two similar prints by the same hand.