Prints, Maps and Posters

John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame, together with two lithographs by Thomas Shotter Boys, 'Hyde Park' and 'Piccadilly', and two further prints after George Morland.

The Eagle Lithographing Company (printers) - 'Tanjore India' (Travel Poster), lithograph in colours, published by the Government of India circa 1958, sheet size 100cm x 63cm, together with a Thai erotic movie poster.

Thomas Rowlandson - 'St. Georges, Hanover Sqr. Light Infantry, Shoulder Arms from Recover, 1st Motion', etching with aquatint and later hand-colouring, 29.5cm x 24cm, together with two similar etchings from the same series, all within Hogarth style frames.

Rembrandt van Rijn - The Golf or Kolf Player (Het Klosbaantje), etching on laid paper, circa 1654, second state, 9.5cm x 14.5cm. References: Biörklund's second state (of 2); Usticke's second state (i) (of 3), with the rust spots to the left and above the player; White and Boon's second state (of 2).

Richard Houston, after Rembrandt van Rijn - The Philosopher in Contemplation, 18th century mezzotint, 20cm x 26.5cm, within a gilt composition frame.

David Shrigley - 'Truth', offset lithograph, published by Shrig Shop, circa 2020, 80cm x 60cm.

David Shrigley - 'People Expect So Much of Me', offset lithograph, published by Shrig Shop, circa 2021, 80cm x 60cm.

David Shrigley - 'You Win This Mushroom, It is Poisonous', offset lithograph, published by Shrig Shop, circa 2020, 80cm x 60cm.

David Shrigley - 'I Did Not Ask To Be A Bird', offset lithograph, published by Shrig Shop, circa 2021, 80cm x 60cm.

Peter Carreras - a quantity of approximately twenty-four colour prints, mainly signed and editioned in pencil, together with various related printing plates.

David Shrigley - 'They Were Too Long, They Were Much Too Long', offset lithograph, published by Shrig Shop, circa 2020, 80cm x 60cm.

Louis Haghe, after David Roberts - 'Fortress of Ibrim, Nubia', stone lithograph with hand-colouring, 25cm x 35cm, within a maple and gilt frame, together with four 18th century engravings of London architectural interest.

Anthony Benjamin - 'Flag', colour screenprint, signed, dated '78 and editioned 47/100 in pencil, sheet size 63.5cm x 89.5cm, together with another screenprint by Anthony Benjamin 'Boxxxxxxx', signed, titled, dated '78 and editioned 51/100 in pencil, 90cm x 63cm.

Richard Hamilton - 'By the Waters of Miers', etching with aquatint circa 1972, signed, titled and editioned 51/75 in pencil, sheet size 85cm x 69cm.

John Piper - Exton, Rutland: Monument by Grinling Gibbons, 1686, colour lithograph circa 1964, signed and editioned 49/70 in pencil, sheet size 80.5cm x 58.5cm.

Michael Rothenstein - 'Rush', woodcut and screenprint circa 1975, signed and editioned 18/75 in pencil, sheet size 48cm x 65.5cm.

Marino Marini - Miracolo, etching, signed circa 1969 and editioned 55/60 in pencil, sheet size 69.5cm x 50.5cm.

Maurice Brianchon - Mounted Cavalry, colour lithograph circa 1954, signed and editioned 43/50 in pencil, sheet size 62cm x 41cm, together with another lithograph by the same hand, Fruits d'Automne, signed and editioned 67/75 in pencil, 50cm x 55cm.

Samuel Cousins, after Joshua Reynolds - Lady Caroline Montague as Winter, and Miss Jane Bowles, a pair of mezzotints, both signed in pencil, published by Colnaghi 1875, each 48cm x 37cm, both within Hogarth style frames.