Prints, Maps and Posters

Hugh Casson - 'Road to the Sea', 20th century soft ground etching with aquatint on wove paper, signed, titled and editioned 48/90 in pencil, 25.5cm x 33cm, within a stained wood frame.

Anna Kirwan - 'Penny Machine', 20th century etching with aquatint in colours, signed, dated '72 and editioned 1/6 in pencil, 35cm x 50.5cm, within a silvered frame, together with three works by other hands.

Tracy Emin - Suffer Love, 21st century polymer gravure etching, signed and dated '09 in pencil recto, editioned 65/250 and White Cube gallery label verso, 14cm x 19cm, within a stained wood frame. Provenance: purchased by the vendor from the White Cube gallery in 2009.

Billy Childish - 'Art Car Boot Fair Prize Draw Ticket No. 000167/250', 21st century woodcut, signed in pencil recto, label verso, sheet size 20.5cm x 14.5cm, within a limed wood frame.

BANKSY - Di-Faced Tenner, offset lithograph, published 2004, sheet size 7.5cm x 14.5cm, within a painted wood frame.

Mo Jupp - 'State of Play #3', 20th century porcelain plaque, signed and editioned 20/20 in pencil, 12cm x 7cm, within a stained wood frame.

Elizabeth Frink - Calypso, Circe, and Tyro and Poseidon, three 20th century lithographs on laid paper, each 23.5cm x 15cm, all within painted wood frames.

Koloman Moser - Girl in a Landscape, etching with drypoint, circa 1898, 8cm x 10cm, within a painted wood frame.

César Domela - Abstract Composition, lithograph, signed, dated 1955 and editioned 36/100 in pencil, 37cm x 27cm, within a stained wood frame.

After Utagawa Hiroshige - Koi Carp, early 20th century woodblock on thin laid paper, sheet size 26.5cm x 37.5cm.

Anders Zorn - 'Mrs Cleveland', 19th century etching on laid paper, signed and titled in pencil, sheet size 39cm x 24.5cm. Note: Frances Clara Cleveland Preston (née Folsom) was the First Lady of the United States from 1886 to 1889, and again from 1893 to 1897, as the wife of President Grover Cleveland.

Ronald King - 'The Monk', 'The Nonne' and 'The Reeve', five screenprints, three signed with initials in pencil, each approx. 38.5cm x 26cm, within three paper folders with letterpress titles.

Laurence Stephen Lowry [L.S. Lowry] - Industrial Scene, offset lithograph, signed in pencil and with Fine Art Trade Guild blindstamp recto, from the edition of 850 published by Venture Prints 1974, titled Frost & Reed gallery label verso, 37cm x 26cm, within a painted and gilt frame.

Adam and Samuel Buck - 'The South-West Prospect of the City of Chichester', 18th century engraving on laid paper, 31cm x 81cm, within an ebonized and gilt frame.

Robert Havell, after John Tidey - 'Worthing', aquatint with hand-colouring, published by Colnaghi & Son 1828, 31cm x 49cm, within a Hogarth style frame. Note: scarce, we can find no other examples of this print.

Newman & Co. [printers] - 'Worthing', 19th century stone lithograph with hand-colouring, published by Charles Cortis, 32.5cm x 51cm, within a Hogarth style frame, together with four engravings of Worthing interest. Note: scarce.

Day & Son (printers) - 'View of the Intended Harbour at Brighton, on the Recoil Principle', 19th century stone lithograph with later hand-colouring, published by W. Grant, Brighton, 33cm x 46.5cm, within a Hogarth style frame.

J. Sleath - 'Plan of Brighton and its Environs, drawn from Actual Surveys', 19th century engraving with later hand-colouring and ink annotations, published by W. Saunders, 53cm x 73cm, within a Hogarth style frame. Note: scarce.

Arthur Wallis, after James Lambert - 'A Perspective View of Brighthelmston, and of the Sea Coast as far as the Isle of Wight', lithograph with hand-colouring, published circa 1765, 25cm x 55cm, within an ebonized and gilt frame.