Prints, Maps and Posters

Continental School - Abstract Figures, 20th century lithograph in colours, indistinctly signed and editioned 41/130 in ink, 64cm x 49.5cm, within a stained wood frame, together with four other prints by different hands, including examples by Kris Nason and Pat Mallinson.

Continental School - Indian Architectural Ornament, colour etching, indistinctly signed, dated 1976 and editioned 48/49 in pencil, 55cm x 34cm, within an aluminium frame, together with an engraving of Canterbury by Edward Penstone.

Graham Clarke - 'Old Manor', 20th century colour etching with aquatint, signed, titled and inscribed 'artist's proof' in pencil, 37.5cm x 56cm, within a gilt frame.

Graham Clarke - 'Vita's White Garden', 20th century colour etching with aquatint, signed, titled and editioned 87/350 in pencil, 30.5cm x 37cm, within a gilt frame, together with two other signed etchings by the same hand.

Feliks Topolski - 'The 200th Derby Stakes', 20th century screenprint in colours, signed and editioned 27/250 in pencil, sheet size 105cm x 155cm.

Feliks Topolski - 'St James's', photogravure on wove paper, signed and dated '39 in pencil, 26cm x 30.5cm, within an ebonized frame.

Michael Hale - 'Caprice', 20th century screenprint on wove paper, signed, titled, dated '80 and editioned 177/200 in pencil, 52cm x 41.5cm, within a stained wood frame.

Tom Flint - 'Marymount', 20th century etching with aquatint, signed, titled, dated '97 and editioned 1/50 in pencil, sheet size 32cm x 28cm, within a stained wood frame.

Joan Miro - L'Été (Summer), lithograph in colours, published for 'Verve: An Artistic and Literary Quarterly' (Vol. 1, No. 3) and printed by Mourlot circa 1938, 34.5cm x 25.5cm, within an ebonized frame.

Paul Seltenhammer - 'Folies en Folie, Mistinguett' (Poster for the Folies-Bergère), lithograph in colours, published by Pierre Havez, Paris circa 1933, 118cm x 313cm, within an ebonized frame.

Thomas Ryder, after Henry Bunbury - The Beautiful Stranger poisoned by her Sister (Arabian Nights), stipple engraving with later hand-colouring, published by S. Waits circa 1878 for Arabian Nights Entertainments, 21cm x 27cm, together with another similar stipple engraving by the same hands, Morigiani discovering the Arabian Robber, and two other hand-coloured prints, all within gilt frames.

Percy J. Edwards - A Map of the River Thames from Rotherhithe to Putney, engraving with later hand-colouring, published by Edwards circa 1800, 28cm x 43.5cm, within a faux wood frame.

After Thomas Rowlandson - 'Doctor Gallipot', 'Breaking Cover', 'Connoisseurs', and 'The Last Shift', four etchings with aquatint and hand-colouring, published by Richard Reeve circa 1808, each 32m x 24cm, all within Hogarth style frames.

Richard Evans (publisher) - 'His Royal Highness, the Prince Regent, of Great Britain', etching with later hand-colouring, published by Evans 1815, 22.5cm x 33cm, within an ebonized and gilt frame, together with seven 18th and 19th century portrait engravings of Georgian Regency interest.

Robert Morden - 'The Smaller Islands in the British Ocean', engraving with later colour, 38cm x 44cm, within an oak frame, together with nine further maps.

Robert Morden - 'Sussex', engraving with later colour, 35cm x 43cm, within a silvered frame, together with five further maps by Robert Morden.

William Kip, after John Norden - 'Sussexia sive Southsex olim pars Regnorum' (Map of the County of Sussex), 17th century engraving with later hand-colouring, 22cm x 38cm, within a gilt frame.

Jodicus Hondius, John Speede and John Norden - 'Sussex, described and divided' (Map of the County), early 17th century engraving with later colour, 39cm x 51cm, within a gilt frame.

R. Wright (cartographer) - 'Plan of the Parish of Greatham in the County of Sussex', engraved circa 1838 with manuscript details of commutation of tithes and with tithe stamp, 99cm x 130cm.