Prints, Maps and Posters

Mary Beresford-Williams - 'Sailing the Boats', 20th century screen print, signed, titled, inscribed 'A/P', and dated '81 in pencil, sheet size 44cm x 56cm, together with fifteen further screen-prints by the same hand.

Pietro Annigoni - Self Portrait, and La bella Italiana, a pair of 20th century colour prints, both signed in ink, each 29.5cm x 24cm, both within ebonized frames, together with five woodcuts, 'Damascus', 'Athens', 'Dubrovnik', 'Verona', and 'Ibiza' by O.C. Mitchell, and a landscape etching signed A. Clark.

Charles William Taylor - Sussex Mill, early/mid-20th century wood-engraving, signed in pencil, 16cm x 21cm, within an ebonized frame.

Howard Phipps - 'Open Doorways, the Netherhall', woodcut, signed, titled, editioned 46/50, and dated 1983 in pencil, 12.5cm x 9cm, within an ebonized frame.

Milein Cosman - 'Stravinsky Composing', 20th century etching, signed, titled and editioned 5/36 in pencil recto, Belgrave Gallery label verso, 25cm x 19cm, within a stained wood frame, together with two other prints by the same hand.

Helen Bradley - 'On a Beautiful Winter's Day', 20th century colour print, signed in pencil and with Fine Art Trade Guild blindstamp, 30cm x 39.5cm, within a gilt frame.

Al Hirschfield - Pavarotti, etching, circa 1981, signed and editioned 105/150 in pencil, 42.5cm x 32.5cm, within a gilt frame.

Maud Llewellyn Wethered - Harbour Scene with Boats and Figures, 20th century woodcut, signed and editioned 8/25 in pencil, sheet size 15.5cm x 18cm.

Katherine Cameron - View of Amberley Castle and St Michael's Church, 20th century etching, signed in pencil, 14.5cm x 35cm.

Gino Severini - Colombina, engraving on laid paper, signed in ink, circa 1922, sheet size 20.5cm x 13cm. References: Meloni 13.

Udo Nolte - 'Mozart', 20th century colour etching, signed and editioned 164/200 in pencil recto, titled gallery label verso, 39cm x 45.5cm, within a gilt frame, together with another similar etching by the same hand, 'Violin Key'.

Wilhelm [William John Charles Pitcher] - 'Robin Hood as Earl of Huntingdon, Last Scene' (Costume Design), watercolour with gouache, signed, titled and dated 1904, 22cm x 14cm, together with three other watercolours by the same hand, all Gouache Costume Designs

Arild Rosenkrantz - 'Souvenir of the Keats-Shelley Memorial Matinées', watercolour with gouache on Whatman board, signed and dated 1912 in pencil, 35.5cm x 27cm, together with a pencil drawing by the same hand.

Henri de Toulouse-Lautrec - 'Moulin Rouge: La Goulue', colour lithograph, published for Maitres de l'Affiche circa 1895-1900, sheet size 33cm x 22cm, together with nine further Toulouse-Lautrec lithographs from the same series, two lithographs after William Nicholson, and an Edward Gordon Craig woodcut of Henry Irving.

David Gentleman - Ellen Keeley's Shop, and Foreign Fruit Market, two colour lithographs, both signed, and editioned 37/70 and 20/70 in pencil respectively, circa 1972, each sheet size 49.5cm x 61cm.

David Gentleman - Covent Garden, three colour lithographs, all signed and editioned 70/120 in pencil, each sheet size 56.5cm x 77.5cm.

David Gentleman - St Giles-in-the-Fields, Lichgate, St Paul's, Covent Garden and King Street and St Paul's, three colour lithographs, all signed and editioned 70/120 in pencil, each sheet size 70.5cm x 54cm.

Diana Armfield - Sunset Sky over the Salute, Venice, lithograph on wove paper, signed and editioned 13/110 in pencil, sheet size 45cm x 37cm, within a gilt frame.

Eduardo Chillida - Collage 1969, offset lithograph, published by Galerie Maeght circa 1995, 67cm x 47.5cm, within a stained wood frame.