Prints, Maps and Posters

Daniel Havell, after Henry Salt - 'Mucculla in Abyssinia', and 'The Pass of Atbara in Abyssinia', a pair of etchings with aquatint and hand-colouring, published by William Miller circa 1809, each 46cm x 60m, both within gilt frames.

W. Walton, after C. Head - 'Cleopatra's Needle with Part of Alexandria, taken from the North', stone lithograph with hand-colouring, 31cm x 41cm, together with six further topographical lithographs of African interest.

John Raphael Smith, after John Northcote - 'A Visit to the Grandmother' and 'A Visit to the Grandfather', a pair of hand-coloured mezzotint engravings on laid paper, published by John Raphael Smith circa 1785, each 56.5cm x 41cm, both within Hogarth style frames.

Marius Bauer - Procession with Camels, early 20th century etching, signed, titled and inscribed 'No. 57' in pencil, sheet size 65.5cm x 45cm.

Robert Bowyer - 'The Kremlin, Moscow', hand-coloured aquatint, published circa 1814, 42.5cm x 63cm, together with eight further aquatints by Robert Bowyer of related interest.

Daniel Havell, after Henry Salt - 'View near the Village of Asceriah, in Abyssinia', and 'The Town of Dican in Abyssinia', two etchings with aquatint and hand-colouring, published by William Miller, circa 1809, each sheet size 54cm x 72cm, together with three 19th century lithographs by Thomas Shotter Boys, and eight other 18th and 19th century prints.

Santi Pacini, after Antonio Domenico Gabbiani - Atalanta and Hippomenes, etching in sepia ink on laid paper, published circa 1786, sheet size 19cm x 35.5cm, together with a 17th century etching by Pieter Rodermondt, Jacob and Esau, sheet size 31cm x 25cm.

Johannes Blaeu - 'Ila Insula ex Aebudarum majoribus Una' (Islay, Map of the Island), 17th century engraving with later hand-colouring, 41cm x 53cm, within a stained wood frame.

Jacques Rigaud and Bernard Baron - 'View from Gibbs's Building' (Stowe, Buckinghamshire), etching with engraving on laid paper, published by S. Bridgeman, circa 1739, 35cm x 50cm, together with eight further etchings from the same Stowe series, all within Hogarth style frames.

John Oliver and Richard Palmer (engravers) - 'Surrey Actually Survey'd and Delineated By John Seller Hydrographer to the King many Additions by P. Lea Cum Privilegio Regis' (Map of the County), 17th century engraving with later colour in outline on laid paper, 42.5cm x 51cm, within an ebonized and gilt frame.

Richard Gilson Reeve, after Henry Alken - 'Woodcock Shooting', 'Pheasant Shooting', 'The Repast', and 'The Return', four etchings with aquatint and later hand-colouring, published by S. & J. Fuller circa 1813, each 37.5cm x 46.5cm, within matching gilt frames.

Thomas Sutherland, after Henry Alken - 'The Meeting, Kirby Gate', 'Breaking Cover, Billesdon Coplow', 'Full Cry, Whifsendine Pasture', and 'The Death, View of Kettleby' (The Leicestershire Covers), four etchings with aquatint and later hand-colouring, published by S. & J. Fuller circa 1824, each 23.5cm x 72.5cm, all within matching stained wood frames.

Thomas Major - 'A View of the Hexastyle Peripteral Temple, taken from the South', etching with engraving and later hand-colouring on laid paper, published circa 1768 for 'Les ruines de Paestum, ou de Posidonie, dans la Grande Grece', 36.5cm x 26cm, together with three further engravings from the same series, all within matching gilt frames.

Herbert Dicksee - 'Alsatians', etching, signed in pencil, titled label verso, published by Frost & Reed circa 1926, 32cm x 43.5cm, within a stained wood frame.

Pieter Van den Keere and John Speed - 'Southampton' (Map of the County of Hampshire), 17th century engraving with later hand-colouring in outline on laid paper, 9cm x 13cm, within a gilt frame.

Jean Mathieu, after Jean-Baptiste Joseph Wicar - 'Statues Antiques' (Classical Antiquity), four 19th century engravings, each 45.5cm x 28.5cm, all within matching ebonized and gilt frames, together with four prints after Edward Lear.

Mortimer Menpes - Victoria Tower, Westminster, etching, signed in pencil, 29cm x 16cm, within a gilt frame, together with three further etchings by the same hand.

François Halma - 'Holland' (Map of the Country), 18th century engraving with later hand-colouring on laid paper, 43cm x 33.5cm, within a stained wood frame.

After Hans Burgkmair the Younger - Burgkmair Turnierbuch (The Young Ones), ten facsimile prints with hand-colouring, published by K.W. Hiersemann circa 1910 for Heinrich Pallmann's 'Hans Burgkmair des Jüngeren Turnierbuch von 1529', each 41cm x 27cm, all within matching Hogarth style frames.