Prints, Maps and Posters

Frank Wootton - 'Halifax', late 20th century colour print, signed by the artist and Arthur T. Harris, and editioned 52/850 in pencil, 49cm x 55cm, together with five other colour prints signed by Leonard Cheshire, Barnes Wallace, James Doolittle and Ira Eaker.

Anthony Cowland - 'Power and Beauty, Avro Vulcan B Mk 1', late 20th century colour print, signed and editioned 51/120 in pencil, 41.5cm x 30cm, within an aluminium frame.

Philip E. West - 'Home at Dusk', late 20th century colour print, signed by the artist and Frank Newman, and editioned 63/300 in pencil, 36cm x 62cm, within a faux wood frame, together with three other aviation prints.

R.R. Malcolm - 'Grant of Glenmorrison [sic, Glenmoriston]' (Scottish Golfer), mid-19th century hand-coloured lithograph from 'The Clans of the Scottish Highlands', 30.5cm x 21cm, together with a collection of thirteen sport related prints, all framed.

'Snaffles' [Charles Johnson Payne] - 'The Informers', photolithograph circa 1934, signed in pencil, 50cm x 56cm, within an oak frame.

Two late 18th century engravings, 'Augusto' and 'Trajano' (Marble Busts of the Roman Emperors), each 39cm x 27.5cm, both within gilt frames.

After Melchior de Hondecoeter - Farmyard Scenes, 19th century engravings with later hand-colour, each 36cm x 47cm, both within faux wood frames.

Lavallee, et al (engravers) - Lobster, and Crab, two engravings from 'Description de l'Egypte…' published 1809-1829, with later hand-colouring, each 60cm x 44cm, both within painted frames.

Lavallee, et al (engravers) - Studies of Mineral Specimens, four engravings from 'Description de l'Egypte…', published 1809-1829, with later hand-colouring, each 60.5cm x 44.5cm, all window mounted.

Pierre Joseph Buchoz - 'Aloë disticha', 'Gigotorcya', 'Crescentia cujete', 'Blackea Quinquenervia', 'Coüroupita Guianensis', 'Theobroma Cacao', 'Solanum Mammosum' and 'Mullera monitiformis' (Plates from 'Jardin D'Eden'), a group of six 18th century engravings with later colour, each 32cm x 21cm, all within stained wood frames.

Giovanni Battista Piranesi - 'Veduta delle Terme di Tito…', late 18th century engraving, 51cm x 73.5cm, within a gilt frame.

Giovanni Battista Piranesi - 'Veduta degli Avanzi della Circon ferenza delle antiche Fabbriche di una delle Piazze della Villa Adriana oggidi chiamata Piazza d'oro' (Hadrian's Villa), late 18th/early 19th century engraving, 49cm x 64cm, within a gilt frame.

Luigi Rossini - 'Veduta del grand' interno dell'Anfiteatro Flavio, detto il Colosseo', early 19th century monochrome engraving, 47cm x 68cm, within a gilt frame.

Giovanni Battista Piranesi - 'Veduta del Campidoglio di fianco' (View of the Capitoline Piazza), late 18th century engraving, 40.5cm x 69cm, within an ebonized frame.

Giovanni Battista Piranesi - 'Veduta degli avanzi di due Triclini che appartenevano alla Casa aurea di Nerone', 19th century engraving, 42cm x 57cm, within a Hogarth style frame.

Luigi Rossini - 'Veduta dell'avanzo del fianco del Portico, che circondava la Cella del Tempio di Antonino Pio' and 'Veduta del Tempio della Fortuna Virile', two early 19th century engravings, each 52cm x 67cm, both within Hogarth style frames.

Francesco Piranesi after Bernardino Nocchi - 'Laocoonte... ', late 18th/early 19th century engraving, 73cm x 50cm, within a stained wood frame, together with another similar engraving, 'Uno de due Colossi del Quirinale rappresentanti Castore e Polluce'.

Francesco Piranesi, after Bernardino Nocchi - 'Meleagro con clamide in spalla e con testa del Cinghiale Calidonio da lui ucciso che ora esiste nel Museo Vaticano...', 19th century engraving, 73.5cm x 50.5cm, within a burr walnut frame, together with another similar engraving, 'Gruppo antico di figure d'o volgarm'e il Toro Farnese'.

Francesco Piranesi - 'Ganimede... ', late 18th century engraving, 50.5cm x 37cm, within a burr walnut frame, together with nine similar engravings after Piranesi, all but two in matching frames, together with two matching frames.