Prints, Maps and Posters

E.G. Ravenstein - 'The Oarman's and Angler's Map of the River Thames', folding engraved map, published by James Reynolds, circa 1861, 260cm x 16.5cm within cloth boards with paper label mounted on the upper cover. Note: the scarce first printing of this map, including mention of the East or New Weir at Grafton which was demolished in 1869 and therefore not mentioned in later editions.

J. Basire (engraver) - 'Plan of the City of Dendermonde…', from 'Tindal's continuation of Mr Rapin's History of England', folding engraving, 40cm x 49cm, together with a collection of other folding maps.

Trigonometrical Branch (publisher) - 'Sheet No 6 or North Eastern Frontier, Survey of India, Parts of Tibet, Sikhim and Bhutan', zincograph, 57.5cm x 80.5cm.

H.L. Thuillier - 'Parts of Districts Garhwal Almora & Naini Tal', from the Survey of India, folding heliozincograph circa 1870, backed onto linen, 67cm x 155cm, together with two cloth maps.

Giuseppe Vasi Corleone - La Veduta della Basillica di S. Maria Maggiore dalla parte verso le quattro fontane, late 18th century engraving, 88cm x 69.5cm within an ebonized frame.

David Roberts - 'Excavated Temples of Aboosimble, Nubia' and 'Fortress of Ibrim, Nubia', two lithographs by Louis Haghe, with original hand-colour, each 27cm x 37cm, both within burr wood and gilt frames.

Maurice Utrillo - 'La Blanchisserie de la Bastille', lithograph with pochoir, editioned 17/20 in pencil recto, label verso, 34cm x 27cm, within a painted and gilt frame, together with another similar print 'L'Eglise Saint Pierre'.

Albert Rutherston - 'Audience with the Pharaoh', hand-coloured artist's proof engraving, circa 1929, Sally Hunter Fine Art label verso, 20.5cm x 15cm, within a painted frame, together with four lithographs, including three by Suzanne Humbert.

Tate Gallery (publisher) - 'Bonnard' (Exhibition Poster), colour print, 75cm x 50cm, together with a collection of 20th century prints and posters.

Antonio Visentini, after Canaletto - 'Bucentoro e fiera Veneta nel di dell Ascensione' (Grand Canal with St Mark's, Venice), 18th century engraving with later hand-colouring, 27.5cm x 42.5cm, together with an 18th century engraving of Piazza Navona, Rome, and two other topographical prints.

Karl Korab - 'Dachlandschaft', artist's proof etching, signed with initials, inscribed and dated '92 recto, label verso, 49cm x 64cm, within an oak frame.