Prints, Maps and Posters

George Soper - Blacksmith at his Forge, 20th century etching, 16cm x 23.5cm, within a stained wood frame.

Edward Millington Synge - Canal Scene with Fishermen and Distant Church, probably St. Petersburg, Russia, early 20th century etching, signed in pencil, 13.5cm x 18.5cm, within a gilt frame.

British School - 'The Fall' (Cecil Day Lewis Poem), 20th century etching, indistinctly signed, inscribed and dated '89 in pencil, 22.5cm x 17.5cm, within a stained wood and gilt frame.

Richard Houston, after Jean Étienne Liotard - The Right Hon'ble Maria Countess of Coventry, oval 18th century reverse coloured mezzotint on glass, 28cm x 23cm, within a metal repoussé frame, together with a 19th century stipple engraving.

W.H. Smith (publisher) - 'Map of Environs of London', early 20th century lithograph, backed onto linen, overall 74cm x 86.5cm, folding within cloth covered boards with paper title, together with Black's Large Tourist Map of Scotland and thirteen Ordnance Survey maps.

Allan Gwynne-Jones - 'House at the Cross Rds', monochrome etching, signed, titled, dated 1926 and inscribed in pencil, sheet size 19cm x 28cm, together with a further twenty-one etchings and woodcuts by various hands including Hubert Andrew Freeth, Ian Strang, A.K. Lawrence, Alexander Pender Crichton, Frank Emanuel, Dora Meeson, Gerald Harrison, and a small collection of sketches and greeting cards, many with dedications to Maurice Bradshaw. Note: Maurice Bradshaw OBE was Director of the Art Exhibitions Bureau and secretary to numerous art societies, including the Royal Society of British Artists, and Society of Marine Artists. Provenance: The Maurice Bradshaw OBE archive.

Charles Oliver Murray, after Edward Poynter - Nausicaa and her Maids Playing at Ball, engraving, published by Virtue & Co circa 1898, signed by both the engraver and artist in pencil, 30cm x 63cm, together with a 19th century hand-coloured photogravure after Henrietta Rae, 'Psyche before the Throne of Venus'.

Luigi Rossini - 'Veduta Generale del Monte Quirinale' (Panoramic View of Rome and the Vatican), etching with engraving, published circa 1822, 44.5cm x 72cm.

Pieter Stevens van Gunst, after Charles le Brun - 'He's truly brave that overcomes himself' (Alexander the Great), 18th century etching with engraving, 74cm x 96.5cm, together with a 19th century engraving after Raphael, 'Peter and John healing the Lame Man at the Beautiful Gate of the Temple'.

Herbert Bourne, after Gustave Doré - Christ leaving the Praetorium, etching with engraving on India paper, signed by both the engraver and artist in pencil, published by the Doré Gallery circa 1899, 77cm x 106cm.

Hannes Postma - Abstract Composition, 20th century colour soft ground etching with aquatint, signed in pencil, sheet size 63.5cm x 83.5cm.

Endré [Andrea] de Passano - The Duel, early 20th century print coloured in pochoir, 46.5cm x 32.5cm, together with a hand-coloured lithograph after 'Sem' [Georges Goursat], and two further prints.

Circle of Henry Napartuk - Two Inuits fishing, 20th century woodcut on thin laid paper, 34cm x 46cm, together with a small quantity of drawings and prints.

John Cary - 'A Prospect of Dublin, the Capital of Ireland', 18th century engraving with later hand-colouring on laid paper, sheet size 21.5cm x 31cm, together with a quantity of prints including engravings and lithographs, and a small collection of drawings and watercolours.

Benjamin Cole - 'A Front View of the Royal Palace of Kensington', 18th century engraving with later hand-colouring on laid paper, 23.5cm x 35.5cm, within a gilt frame, together with three further 18th century engravings and seven 19th century engravings, all London views.

Gary Hodges - 'Nile Crocodile', monochrome print, signed and editioned 104/1500 in pencil, 28.5cm x 92.5cm, within an ebonized and gilt frame, together with another print by the same hand, 'Hippo'.

Gary Hodges - 'Polar Bear Swimming', monochrome print, signed in pencil, 63cm x 43cm, together with another print by the same hand, 'Bearback'.

Gary Hodges - 'Sunlight and Shadows' (Study of a Tree Frog), monochrome print, signed and editioned 746/850 in pencil, 42.5cm x 16cm, within a silvered frame, together with two further prints by the same hand, 'Arabian Oryx', and 'Tender Moments'.

Janet Treby - 'Intimate Retreat', late 20th/early 21st century lithograph, signed, titled and editioned 112/150 in pencil, 94.5cm x 67cm, within a metal frame.