Prints, Maps and Posters

John Cary - 'A Map of Sussex from the best Authorities', early 19th century engraving with later hand-colouring, 36.5cm x 51.5cm, within a gilt frame.

James Gillray - 'Company shocked at a Lady getting up to Ring the Bell', etching with later hand-colouring, published by H. Humphrey circa 1804, sheet size 34.5cm x 49cm.

After Carlo Bossoli - 'Sebastopol from a Watch Tower in Centre of the Town', and Sebastopol, as seen from the Northern Forts', a pair of 19th century stone lithographs with hand-colouring, sheet sizes 30cm x 40.5cm and 30.5cm x 44cm respectively.

John McGahey, after George Catlin - 'Ojibbeways' (Native Americans from the Ojibwa tribe), 19th century stone lithograph with near period hand-colouring, published by Day & Co, 33cm x 43cm. Note: scarce.

Edwin Landseer - 'Selections from the Works of Sir Edwin Landseer R.A., Library Edition', fourteen engravings on India paper, including examples with etching and mezzotint, all with Printsellers' Association blindstamp, each sheet size 50.5cm x 34.5cm, within a leather bound folio with gilt titles.

James Abbott McNeill Whistler - 'The Studio Whistler Portfolio', twelve mounted colour prints, published by The Studio circa 1905, each overall 39.5cm x 27cm, within a cloth and paper bound folio with paper titles.

Gabriel Shear Tregear (publisher) - 'A Cure for a Cold', stone lithograph with near period hand-colouring, published by Tregear circa 1833, sheet size 27.5cm x 23cm, together with a collection of one hundred and forty eight satirical scraps and engravings, all within an album.

George Clausen - 'Study for Old Barn 1897', lithograph on Whatman wove paper, watermarked date for 1901, sheet size 51cm x 37cm. Note: scarce, we can find no other known examples.

Léonard Tsuguharu Foujita - Study of a Cat, collotype on wove paper, published circa 1930, 25cm x 30.5cm. Note: one of the illustrations Foujita provided for Michael Joseph's 'A Book of Cats', lacking 'Made in France' stamp.

Eduardo Paolozzi - 'Oxford', lithograph, signed, titled and dated 1945 in ink, sheet size 17cm x 22.5cm. Provenance: gifted by the artist to the vendor's mother who was a contemporary of Paolozzi at the Slade School of Fine Art.

Samuel Lewis - 'A Topographical Dictionary of Scotland', folding engraved map in six parts with near period hand-colouring, published by Lewis circa 1851, each part overall 69cm x 64.5cm, within cloth covered boards with gilt titles.

James Abbott McNeill Whistler - Little Evelyn, stone lithograph on laid paper, published for the Art Journal circa 1869, sheet size 20cm x 12.5cm, together with another lithograph by the same hand, Nursemaids: Les Bonnes du Luxembourg.

Hans Bellmer - Les Mariés, 20th century etching with aquatint, signed and editioned 141/200 in pencil, 29cm x 24.5cm, within a gilt frame.

Anthony Gross - 'Angmering Park, Sussex', etching with drypoint, signed, titled and dated 1924 in pencil, 18.5cm x 27.5cm, within a stained wood frame.

George Mackley - 'Molen', woodcut, signed, titled and editioned 3/60 in pencil, published circa 1968, 15cm x 14.5cm, within a Hogarth style frame.

Eric Gill - 'Clothes: for Dignity and Adornment', etching, signed and editioned 15/15 in pencil, circa 1927, 12.5cm x 7cm, within a stained wood frame.

Robert Laurie, after Joseph Vernet - River Landscape with Fishermen and Women, Classical Buildings and Tower beyond, mezzotint, published by Robert Sayer circa 1773, 47cm x 57cm, together with a similar mezzotint by and after the same hands, 'A Hard Gale', and an engraving after Claude Lorrain.

Elyse Ashe Lord - Japanese Ladies playing Kemari, etching with drypoint and hand-colouring, signed and editioned 49/75 in pencil, titled verso, sheet size 42.5cm x 57.5cm.

James Basire, after Guercino - 'Man pouring Water through a Funnel into a Vase with a Man and Woman standing Back to Back behind', 18th century etching, 19.5cm x 16.5cm, together with six further old master etchings by different hands and one other by Francesco Bartolozzi.