Prints, Maps and Posters

Beryl Cook - Getting Ready, 20th century colour print, published by Alexander Gallery Publications Ltd, signed in pencil and with Fine Art Trade Guild blindstamp, 48cm x 40cm, within a stained wood and gilt frame.

Beryl Cook - Poetry Reading, colour print, published by Alexander Gallery Publications Ltd circa 1982, signed in pencil and with Fine Art Trade Guild blindstamp, 49cm x 38cm, within a metal and stained wood frame.

Beryl Cook - Meadow Suite, 20th century colour print, published by Alexander Gallery Publications Ltd, signed in pencil and with Fine Art Trade Guild blindstamp, 34cm x 42cm, within a metal and stained wood frame.

Beryl Cook - 'Sultry Afternoon', 20th century colour print, published by Alexander Gallery Publications Ltd, signed and editioned 137/850 in pencil recto, titled label verso, 39cm x 50.5cm, within a stained wood frame.

Peltro William Tomkins, after Francesco Bartolozzi - 'Affection and Innocence', stipple engraving with near period hand-colouring, published by Molteno circa 1810, 29.5cm x 33cm, within a gilt composition frame, together with three similar engravings.

Jacques Firmin Beauvarlet, after Luca Giordano - 'Acis et Galathée' and 'L'Enlevement d'Europe', a pair of 18th century etchings with engraving, each 48.5cm x 58.5cm, both within stained wood frames, together with two engravings after Charles le Brun.

Francesco Bartolozzi - Four Children Playing, 18th century crayon-manner etching, 23cm x 32cm, within a painted frame, together with three other stipple engravings.

David Shepherd - Elephants in a Landscape, 20th century colour print, signed and editioned 184/475 in pencil, 25cm x 38.5cm, within a stained wood and gilt frame, together with three further signed prints by the same hand.

After Louis Icart - Panier de Pommes (Basket of Apples), 20th century offset lithograph, bears signature, 55.5cm x 45cm, within a painted and gilt frame.

Michael and Nicholas Hanhart, after Thomas Charles Leeson Rowbotham - 'The Pass of the Brenner' and 'St. Goar on the Rhine', a pair of 19th century chromolithographs, both titled verso, each 42cm x 63cm, both within gilt composition frames.

John Raphael Smith, after Joshua Reynolds - 'Mrs Montague', mezzotint, published by Smith circa 1776, 51cm x 36cm, within a Hogarth style frame.

Valentine Green, after Thomas Gainsborough - 'Her Royal Highness the Duchess of Cumberland', 18th century mezzotint, published by Green circa 1787, 63.5cm x 38cm, within a gilt composition frame.

Thomas Watson, after Joshua Reynolds - Full Length Portrait of Catherine, Lady Bampfylde, mezzotint, published by Watson & William Dickinson circa 1779, 64cm x 38cm, within a Hogarth style frame.

Pre-Raphaelite School - Female Nude on a Riverbank, 19th century chromolithograph, 79.5cm x 59cm, within a gilt composition frame.

Breant (engraver) - 'Le Bobak, La Mangouste', 19th century engraving, 14cm x 9cm, within a stained wood and gilt frame, together with five similar natural history engravings.

Robert Havell, after Edward Lapidge - 'The Bridge at Kingston-Upon-Thames', etching with aquatint and near period hand-colouring, 38cm x 62cm, within a Hogarth style frame.

Robert Havell & Son - 'View of Somerset House' and 'A View of Blackfriars Bridge & St. Paul's', a pair of etchings with aquatint and later hand-colouring, published by Colnaghi circa 1821, each 26.5cm x 34.5cm, both within stained wood and gilt frames, together with a 19th century etching with aquatint by Daniel Havell after Frederick Calvert, 'North West View of Tintern Abbey'.

S. & J. Fuller (publishers) - 'Fine Rabbits!', 'Fresh Strawberries!', 'Potatoes, Full Weight!', 'Chairs to Mend!', 'All a Blowin'!', 'Milk 'O!', six stipple engravings with later hand-colouring, published by S. & J. Fuller circa 1812, each 13.5cm x 13cm, all within gilt frames.

Francis St. Clair Miller - 'Garden in Marlborough', 20th centurycolour etching with aquatint, signed, titled and editioned 12/100 in pencil, sheet size 73cm x 56cm, within a metal frame.