Prints, Maps and Posters

John Speed - 'Herefordshire Described' (Map of the County), 17th century engraving with later hand-colouring, published by Sudbury and Humble, 37.5cm x 50.5cm, within a Hogarth style frame.

John Speed - 'Worcestershire Described' (Map of the County), 17th century engraving with later hand-colouring, published by Sudbury and Humble, 38.5cm x 51cm, within a Hogarth style frame, together with another 17th century engraved map of Worcestershire after Joseph Doharty, 'Tabula Chorographica Collium Malvernensium et ad Eurum adjacentis Vallis'. Note: the Doharty map is scarce; we can find no other known examples.

Mick Rooney - 'Spanish Duo', 20th century etching with drypoint and hand-colouring, signed, titled and inscribed 'A/P' in pencil, 23cm x 17.5cm, within a gilt frame, together with a monochrome etching by Gabriel White.

Damien Hirst - 'The Independent (Red)', screenprint, signed by the artist and Bono and editioned 190/300 in pencil, published by The Independent in aid of the Global Fund circa 2006, 67.5cm x 49.5cm, within a painted frame.

After L.S. Lowry - Street Scene with Figures and Church, colour print, editioned 154/850, 42cm x 31cm, within a painted wood frame.

Christopher Saxton - 'Cantii, Southsexiae, Surriae et Middelsexiae comitat' (Map of South East England), 16th century engraving with later hand-colouring, second state, 40cm x 54.5cm, within a gilt frame.

Juliette Goddard - 'The Shuttered Room', colour linocut, signed, titled, dated '87 and editioned 14/15 in pencil, 52cm x 49.5cm, within an ebonized frame. Note: Juliette Goddard teaches printmaking at the Royal College of Art.

Juliette Goddard - Nude in a Landscape, 20th century etching with monotype, signed and inscribed 'A/P' in pencil, 35.5cm x 32.5cm, within an ebonized frame, together with two similar etchings by the same hand. Note: Juliette Goddard teaches printmaking at the Royal College of Art.

Juliette Goddard - 'In Paris', monotype, signed, titled and dated '82 in pencil, 34.5cm x 29.5cm, within an ebonized frame, together with another similar work by the same hand. Note: Juliette Goddard teaches printmaking at the Royal College of Art.

Wil Roberts - 'Winged Boy', etching, signed, titled, dated '92 and editioned 4/30, 30cm x 23cm, within an ebonized frame together with two other 20th century etchings by Ian Darragh and Clare Ajennsi.

Francesco Bartolozzi, after Hans Holbein - 'The Lord Vaux', stipple engraving with later hand-colouring on laid paper, published by I. Chamberlaine circa 1792, 46cm x 40.5cm within a gilt composition frame, together with a similar Bartolozzi engraving, a 17th century mezzotint by Isaac Beckett, 'The Duke of Richmond', and one other print.

'Spy' - 'Hard Hitter' (Boxing Caricature of Captain Edgeworth Johnstone), 19th century chromolithograph, published by Vincent Brooks for Vanity Fair, 36cm x 23.5cm, within an oak frame, together with fifteen other Vanity Fair chromolithographs.

Luigi Rossini - 'Veduta del Ponte di Nona fuori di Porta Maggiore', etching with engraving, published circa 1823, 39cm x 57.5cm, within a gilt composition frame, together with a similar etching by the same hand, 'Veduta di Ponte Fabrizio'.

Luigi Rossini - 'Veduta di un Tempio Antico', etching with engraving, published circa 1825, 46.5cm x 58cm, within a gilt composition frame with applied centre and corner foliate scroll crestings.

Luigi Rossini - 'Veduta dell'Emissario del Lago di Albano e di Castel Gandolfo', etching with engraving, published circa 1825, 37cm x 61.5cm, within a gilt composition frame with applied centre and corner foliate scroll crestings.

Thomas Watson, after Joshua Reynolds - The Right Hon'ble Elizabeth Lady Melbourne, and the Hon'ble Peniston Lamb, mezzotint, published by Walter Shropshire circa 1775, 68cm x 39cm, within a Hogarth style frame.

After Francis Wheatley - Cries of London, thirteen colour stipple engravings by Edward Jackson Stodart and other hands, all signed in pencil, published circa 1926, each 36.5cm x 28cm, all within Hogarth style frames.

David Shepherd - 'Happy Hippo', 20th century colour print, signed and editioned 1420/1500 in pencil, 18.5cm x 16.5cm, within a gilt frame, together with another signed print by the same hand, 'Tiger Cubs'.

G.W. Bacon (publisher) - 'Battle of Belmont', 'Battle of Elands Laagte', 'Battle of Modder River' (Boer War Scenes in 1899), three late 19th/early 20th century century chromolithographs, each 54.5cm x 75cm, all within stained wood and gilt frames.