Prints, Maps and Posters

Jean Hardy - Two Women Reading, 20th century etching with drypoint, aquatint and hand-colouring, 38.5cm x 47.5cm, within a painted and gilt frame.

Francis Jukes, after Charles Lorraine Smith - 'A distinguish'd Character in the Pychely Hunt', etching with aquatint, published by Jukes circa 1790, 24cm x 25cm, within a gilt frame, together with three similar etchings by the same hands.

Marion Harvey - 'Where's my Leash?' (Scottish Terrier), early 20th century etching, signed in pencil recto, titled label verso, 21.5cm x 16cm, within an ebonized frame.

Charles Edward Wagstaff, after Auguste François Biard - 'Slave Traffic on the Coast of Africa', engraving with stipple and mezzotint, 57cm x 75cm, within a gilt composition frame.

Kell Brothers - Panorama of Worthing Seafront, 19th century lithograph with near period hand-colouring, 29cm x 71.5cm, within an ebonized frame.

John Dilnot - Tulips, colour linocut, signed, dated 1998 and editioned 4/250 in pencil, 28cm x 35.5cm, within a stained wood frame.

Peter Scott - 'The Wash at Dawn, Pinkfeet', colour print, signed in pencil recto, titled label verso, published by Arthur Ackermann circa 1955, 41cm x 55.5cm, within a stained wood frame, together with a similar signed print by the same hand.

Thomas Goldsworthy Dutton - 'The Clipper Ship Anglesey, 1150 Tons', 19th century stone lithograph with near period hand-colouring, published by William Foster, 35.5cm x 47.5cm, within a Hogarth style frame, together with another lithograph by the same hand, 'Mess: Green's Ship, Alnwick Castle 1862'.

C. Hudson - 'The Angler's Companion', 19th century engraving on silk, circa 1883, 84cm x 82cm, within a gilt frame. Note: this handkerchief was designed to commemorate the Great Fisheries Exhibition of 1883 and the bicentenary of Izaak Walton's death.

Georges Rouault - Fléau Colon, soft ground etching with aquatint, from 'Réincarnations du Père Ubu' published by Ambroise Vollard, circa 1932, 31.5cm x 20.5cm, within a stained wood frame.

Luigi Schiavonetti, after Richard Westall - 'A Ghost, L'Apparition', stipple engraving with near period hand-colouring, published by Thomas Simpson circa 1791, 22.5cm x 25cm, within a gilt frame, together with a stipple engraving after Lodder, 'The Mothers Pride', and an engraving by Martin Engelbrecht, 'Venice, Punta Della Dogana'.

Lionel Lindsay - 'Las Rejas, Toledo', early 20th century etching, signed in pencil, 28cm x 21.5cm, within an ebonized frame.

W.L. Walton, after Thomas William Bowler - 'St. George's Cathedral, from Wale Street' (View in Cape Town, South Africa), 19th century stone lithograph with near period hand-colouring, 21cm x 29.5cm, within a gilt frame.

Frank Henry Mason - 'Morning Market, N. Shields', early 20th century etching, signed and titled in pencil, 21cm x 25.5cm, within a stained wood frame, together with another etching of maritime interest.

Graham Clarke - 'Winter Goods' and 'Summer Passengers', a pair of 20th century etchings with aquatint and hand-colouring, both signed, titled and editioned 53/400 and 43/400 respectively in pencil, each sheet size 43cm x 62cm, both within painted frames.

Graham Clarke - 'Ightham Mote', 20th century etching with aquatint, signed, titled and editioned 290/350 in pencil, sheet size 36cm x 44.5cm, within a stained wood frame.

Terence Millington - Apples, 20th century colour etching with aquatint, signed and dated '78 in pencil, sheet size 52cm x 47cm, within a metal frame.

Mariage, after Garnier - 'Achille Reconnu par Ulysse', 'Désintéressement de Phocion' and 'Cornélie Mère des Gracques', three late 18th/early 19th century stipple engravings with later hand-colouring, each 38.5cm x 44cm, all within gilt composition frames.

Sutton Nicholls - 'A New Map of the East Indies', 18th century engraving on laid paper with later hand-colouring, 38.5cm x 50cm, within an ebonized and gilt frame.