Prints, Maps and Posters

Samuel Goldwyn Productions (publisher) - 'Guys and Dolls' (Poster for the Movie), colour lithograph, published circa 1955, 105.5cm x 69.5cm, within an ebonized frame.

Josiah Neele, after Christopher and John Greenwood - 'Map of the County of Stafford', 19th century engraving with near period hand-colouring, 58.5cm x 70.5cm, within a stained wood and gilt frame, together with an 18th century engraved map by Robert Morden, 'Barkshire', and five engravings of Wiltshire interest, framed as one.

Benoît Audran, after Charles le Brun - 'La Vertu est digne de l'Empire du Monde' and 'La Vertu plaist quoy que Vaincue', a pair of late 17th/early 18th century etchings with engraving, each 29cm x 60cm, both within ebonized and gilt frames.

Miles - 'Y Felin Geri', 20th century colour etching, signed, titled and editioned 69/100 in pencil, 53.5cm x 68cm, within a silvered frame, together with another colour etching by a different hand, 'Stowe'.

Henry A. Papprill, after J.W. Shayer - 'Up Hill, Springing 'Em', etching with aquatint, published by Mess'rs Fores circa 1887, 51cm x 68.5cm, within a stained wood frame.

Louis Icart - Don Juan, etching with drypoint and aquatint, published by Icart circa 1928, signed and inscribed 'E.A' in pencil and with blindstamp, 53cm x 36cm, within a metal frame.

Hunt and Pyall, after Joseph Moore - 'The Storming of the Lesser Stockade at Kemmendine near Rangoon on the 10th of June 1824' and 'View of the Lake and Part of the Eastern Road from Rangoon, taken from the Advance of the 7th Madras Native Infantry', a pair of 19th century etchings with aquatint and later hand-colouring, each 29cm x 38cm, both within Hogarth style frames.

Edward Poynter - 'The Message', photogravure, signed in pencil, published by Landeker, Lee & Brown circa 1897, 54.5cm x 69cm, within a stained wood frame with applied titled plaque.

After Amedeo Modigliani - La Bourguignonne, mid-20th century collotype, published by Guy Spitzer, blindstamp recto, label verso, 54cm x 37cm, within a stained wood frame.

Frederic Leighton - Neo-Classical Female, photogravure, published by Henry Graves & Co circa 1894, signed in pencil and with Printsellers Association blindstamp, 105cm x 49cm, within an oak frame.

Elyse Ashe Lord - 'Chinese', etching with aquatint and hand-colouring, signed, titled and editioned 39/75 in pencil, 28cm x 31.5cm, within a painted frame.

Elyse Ashe Lord - 'K'o Ssu', early 20th century hand-coloured etching, signed, titled and editioned 15/75 in pencil, 36.5cm x 30cm, within a gilt frame.

Elyse Ashe Lord - Spring Flowers in a Chinese Vase, early 20th century etching with hand-colouring, signed and editioned 26/75 in pencil, 34.5cm x 35cm, within a painted frame.

Heidi Koenig - 'Ouarzazate', 21st century colour etching with aquatint, signed, titled, and editioned 164/175 in pencil, 60cm x 72cm, within an ebonized frame.

Edward Rooker, after Michael Angelo Rooker - 'A View of the Town and Harbour of Leverpool' and 'The South-East Prospect of Leverpool, taken from Seacombe Boat-house' (Views of Liverpool), a pair of engravings, published by George Perry circa 1770, each 39.5cm x 83.5cm, both within stained wood frames.

Adrian Rigby - 'Pride of Britain' and 'Flying the Flag' (Concorde over London and New York), two 20th century colour prints, both signed by the artist and pilot Christopher Orlebar, and editioned 471/500 and 445/500 in pencil respectively, each 34cm x 61.5cm, both within silvered frames.

Robert O. Lenkiewicz - 'Anna / Last Judgement Project 18', 20th century colour print, signed, titled and editioned 203/375 in pencil, 61cm x 53cm, within a gilt frame.

Circle of Piercy Roberts - Adventures of John Bull, twelve late 18th/early 19th century engravings with later hand-colouring, each 14cm x 9cm, framed as one within a stained wood frame.

Robert R. Greenhalf - 'Norfolk Barn Owl', 20th century colour etching with aquatint, signed, titled and editioned 97/100 in pencil, sheet size 37.5cm x 45cm, within a silvered frame.