British and Continental Ceramics

Three pieces of Pilkington's Royal Lancastrian pottery, early 20th century, each covered in a mottled green glaze, comprising a circular bowl and cover, shape No. 3311, diameter 15cm, and a pair of stub candlesticks, shape No. 2224, height 6cm.

Six Royal Copenhagen figures, comprising Boy with Calf, No. 772, Girl with Goose, No. 527, and Boy Whittler, No. 905, each designed by Christian Thomsen, Fisherman, No. 3668, designed by Axel Locher, and two Amager Girls, designed by Lotte Benter.

A Royal Copenhagen figure group, modelled as a fawn with a rabbit, designed by Christian Thomsen, No. 439, height 13cm, a model of the Little Mermaid by Edvard Eriksen, No. 159, two Bing & Grondahl figures and a Copenhagen Siamese Cat, No. 3281.

A large Royal Copenhagen figure Shepherd Boy on Rock, No. 1659, dated 1944, designed by Christian Thomsen, height 31cm, together with a large Bing & Grondahl figure group of a seated Mother and Child, No. 1552, height 28cm (factory second).

Ten Lladro figures, comprising Japanese Geisha Flower Arranger, No. 4840, Valencian Girl with Flowers, No. 1304, Girl with Goose, No. 1052, Girl with Lamb, No. 4505, Nuns, No. 4611, and five children in nightgowns, together with a Lladro goose.

An Art Deco Carter, Stabler Adams Ltd Poole Pottery vase, circa 1930, painted by Winifred Collett in pattern GJ, height 14cm, together with a mixed group of other Art Deco and mid-20th century ceramics, including a Shorter and Son fish service, other Poole, a Branksome coffee set, three Susie Cooper teapots and a Royal Doulton cream glazed vase, height 22cm (minor faults).

A Royal Worcester Lady Evelyn pattern part service, comprising six cups and saucers, six tea plates, jug, sugar bowl and cake plate (one cup handle repaired), a Limoges part dessert service, decorated with gilt enriched cornflowers, and a small group of other ceramics, including a pair of Limoges coffee cans and saucers, painted by Marcadet, signed, for Mappin & Webb, and four Brown-Westhead Moore & Co floral painted plates (some faults and repairs).

A Clarice Cliff My Garden pattern sifter, black printed and painted marks to base with metal stopper, height 14cm.

A pearlware blue printed two-handled sauce tureen and cover with integral stand, early 19th century, with a figural chinoiserie landscape view of opium smokers, height 16.5cm, a similar lobed dish, printed with a basket of flowers, length 26.5cm, six Staffordshire figures, including a group titled 'Death of Nelson', a Wedgwood black basalt teapot and cover, a Staffordshire Dalmatian, two Dutch Delft plates, a commemorative teapot stand and two character jugs (some faults and restoration).

A Derby porcelain soup plate, circa 1780, painted with a central Neoclassical urn garlanded with flowers within scattered sprays, the cobalt blue enamelled rim with gilt anthemion, blue painted factory mark, diameter 24.5cm, together with a Flight, Barr & Barr burgundy ground single-handled dish, painted with a named view of 'Witch Tower, Launceston Castle' within a gilt gadrooned rim, and a Coalport South African War blue printed and gilt commemorative plate.

A Herend Apponyi Green or Chinese Bouquet pattern jardinière with basketweave moulded body, height 15.5cm, a Herend model of two swans, height 19.5cm, a Bing & Grondahl bird model, a Copenhagen vase and two Limoges dishes.

A Derby porcelain topographical cabinet plate, early 19th century, painted with a 'View near Edinburgh' in the style of George Robertson, the rim gilt with peacocks in foliate scroll framing, iron red painted marks to base, diameter 22cm.

A large Doulton Burslem porcelain ewer, late 19th century, the body painted by H. Bennison, signed, with roses against an ivory ground, the spout, rim and handle well moulded with gilt enriched foliate scrollwork, the lobed lower body above an acanthus leaf moulded domed circular foot, brown printed factory mark to base and painted 'c.2025', height 40cm.

A Spode Japan pattern part service, early 19th century, pattern No. 1409, comprising bachelor's teapot and cover, height 10cm, slop bowl, nine coffee cans, nine Bute shaped teacups, eight saucers and saucer dish, diameter 18cm, iron red painted marks to bases, together with three matching Felspar porcelain saucer dishes and a small group of Davenport Imari coffee wares (faults).

A Spode Bamboo and Rock green and gilt decorated part service, circa 1810, comprising two shell shaped dishes, two muffin dishes and covers, six plates, diameter 21.5cm, fifteen plates, diameter 18.5cm, two-handled centrepiece, three oval dishes, six teacups and seven saucers, pattern No. 1653, together with five graduated oval platters in two sizes, lengths 23cm and 26cm, an oval dish and a saucer in the same pattern by Copeland & Garrett.

A mixed group of New Hall Boy and the Butterfly teawares, pattern No. 421, late 18th/early 19th century, comprising coffee pot and cover, three different shaped teapots and covers, sucrier and cover, three jugs, two plates, two oval shaped teapot stands and a lobed example, sugar bowl, slop bowl, three coffee cans, four teacups, twelve teabowls and sixteen saucers (faults and restoration).

A pair of Austrian pottery vases by Josef Steidl, Znaim, early 20th century, of gourd shape, painted with gilt enriched Persian style floral decoration and gilt ground floral banding, impressed and black printed marks to bases, height 30cm, together with a Zsolnay Pecs pierced floral charger, diameter 31.5cm (repaired).

A Ridgway porcelain part tea service, circa 1840, pattern No. 2/7633, decorated with gilt foliage and scrolls against a grey ground border, comprising teapot and cover, sucrier and cover, slop bowl, jug, six teacups, six coffee cups, twelve saucers and two-handled plate, diameter 27.5cm, puce painted pattern numbers and printed factory marks to some pieces, together with a similar part service in pattern No. 3/537 and a small group of other Ridgway tea and dessert wares (some faults).

A New Hall porcelain oval teapot stand, circa 1810, printed in gold with a view of a stately house by a river with figures fishing in the foreground, within a mazarine blue ground rim gilt with foliage, red painted mark to base 'Warburtons Patent' beneath a crown, pattern No. 888, length 17cm, together with a blue ground teacup and saucer, printed and coloured with figures after Adam Buck and panels of fruit (saucer cracked).