British and Continental Ceramics

A Wedgwood black printed Florentine pattern part service, comprising oval platter, length 34.5cm, two dinner plates, sauceboat, eight two-handled soup bowls and six saucers and eight tea plates.

Five Royal Worcester cased coffee sets, each comprising six cans and saucers, in patterns Hyde Park, Evesham, Woodland, Alpine Flowers and Posy (cases with damp damage).

A Plaue porcelain centrepiece, late 19th century, modelled as a floral encrusted column surrounded by five cherubs beneath a pierced basket top, painted and applied with flowers, underglaze blue mark, height 36cm, together with two similar candlesticks (faults, losses and repairs).

A large Des Pots studio pottery vase in the form of a sea urchin, contemporary, black printed mark to base, height 32cm.

A pair of Belgian art pottery vases, late 19th/early 20th century, with bulbous bodies and extended necks, incised with comma and dot decoration in Art Nouveau style against a shaded green ground, unmarked, height 27.5cm.

An Art Deco porcelain powder puff nude, modelled with the seated nude on a satin base, held within a cut glass jar and cover, height of jar 16cm (minor chip to cover).

A pair of Staffordshire pottery equestrian figures of Scottish huntsmen, late 19th century, each with a dead stag, height 36.5cm, together with a Beswick horse, a Beswick dog, Ch. Sugar of Wendover, and a Sandland Martell novelty advertising jug.

A Trevor Corser St. Ives Leach studio pottery two-handled shallow bowl, covered in a green ash glaze, impressed seal marks, diameter across handles 16.5cm, together with a Michael Cardew Wenford Bridge teapot and cover with overhead bamboo handle, and another St. Ives pottery bowl, diameter 16cm.

A Wedgwood pottery mug commemorating the Investiture of Prince Charles, designed by Richard Guyatt, height 10cm, together with a group of other commemoratives, mostly royal related, including two Paragon George VI 1937 coronation mugs with lion handles, height 9.5cm, a Crown Ducal Princess Elizabeth mug, two similar Paragon cups and saucers and an enamel Victoria mug (faults).

A pair of Helena Wolfsohn Dresden porcelain perfume flasks with metal stoppers, late 19th century, of flattened pear shape, painted in Meissen style with figural harbourside scenes between gilt enriched fluted moulding, underglaze blue crowned 'D' mark to bases, height 11.5cm.

A Macintyre Moorcroft Florian ware vase, circa 1903-1904, the slender body decorated with the Poppy pattern in shades of blue against a cream ground, brown printed mark and green painted signature to base, height 24cm.

A Moorcroft Moonlit Blue pattern vase, circa 1925, impressed marks and painted signature to base, height 24cm.

A Moorcroft salt glazed Big Poppy pattern vase, 1920s, impressed marks and painted initials to base, height 18cm.

A Macintyre Moorcroft Revived Cornflower pattern vase, circa 1912-13, brown printed mark and green painted signature to base, height 22cm.

A Macintyre Moorcroft vase, circa 1907-1909, the baluster body decorated with swags of roses and forget-me-knots between scallop motifs, brown printed mark and green painted signature to base, height 21.5cm.

A Moorcroft Banded Pomegranate pattern vase, 1930s, impressed marks and painted signature to base, height 24cm.

A Moorcroft Spanish pattern ginger jar and cover, circa 1912-1916, impressed marks and green painted signature to base, height 14.5cm.

A Macintyre Moorcroft Pansy pattern two-handled vase, circa 1911-13, brown printed mark, green painted signature and black retailer's mark to base, height 22cm.

A Moorcroft Furzey Hill pattern vase, circa 1997, designed by Rachel Bishop, impressed and painted marks to base, height 30.5cm (hairline crack to rim), boxed.