British and Continental Ceramics

A Pilkington's Lancastrian Sea Maiden lustre vase, circa 1906, designed by Walter Crane and decorated by William S. Mycock, with classical maidens in sailing boats against a dark red ground between cloud vapours and waves in ruby lustre, impressed and painted marks to base, height 25cm.

A collection of Winchcombe studio pottery, including three tenmoku glazed mugs by Ray Finch, height 9cm, a large tenmoku glazed jug with abstract motifs, height 20.5cm, and a casserole dish and cover, together with the book 'Winchcombe Pottery' by Ron Wheeler.

A collection of studio pottery, including a Mary Rich porcelain teapot with cane handle, the body covered in a mottled pink glaze, impressed seal mark to side of base, total height 21.5cm, a David Ballantyne pot and cover, a Joe Lester Isle of Wight rectangular dish, decorated with a bird, and a Marianne de Trey oval dish, decorated with leaves.

A collection of studio pottery, including a Tim Andrews raku vase, impressed seal mark to base, height 13.8cm, an Eddie Curtis dish, covered in a copper red glaze, an Edinbane Pottery bowl, decorated with fish, and a Richard Batterham box and cover, together with the book 'Raku' by Tim Andrews.

A Gien faience mantel clock, circa 1900, the white enamel dial within a laurel surround held within a rectangular case of architectural form, decorated to the front with an oval panel of putti within foliate and scroll framing flanked by columns, the sides decorated with garden implements, blue painted factory mark, height 40cm (minor restoration to one foot).

A harlequin Meissen part dessert service, late 18th and 19th century, each piece of circular shape painted with Deutsche Blumen bouquets and sprigs and scattered insects beneath gilt edged shaped rims, comprising two platters, diameters 38cm and 38.5cm, three dishes, two 33cm diameter and one 30cm diameter, and seven plates, diameter approx 23cm, crossed swords in underglaze blue to bases with various impressed numerals (minor faults).

A large Lladro figure group, Fishing with Gramps, model No. 5215, length 39cm, with wood stand, boxed.

Three Lladro figures, comprising Boy Graduate, No. 5198, Girl Graduate, No. 5199, and Breezy Afternoon, No. 5682, each boxed.

A pair of Continental porcelain figures of a lady and gallant, mid-19th century, decorated in shades of pale green with gilt details, on circular bases, underglaze blue factory mark, height 31cm (minor faults).

A Parian model of a donkey, late 19th century, standing on a naturalistic base, panniers on its back, its front left leg raised, unmarked, height 16cm.

A Meissen pierced oval basket, 19th century, painted to the base interior with a floral bouquet, the exterior trellis work with a blue flowerhead at each intersection, flanked by branch handles with floral encrusted terminals, crossed swords in underglaze blue to base, incised No. 57, impressed 73, length 29.8cm (restoration to handles).

A Samson porcelain Meissen style model of a rabbit, late 19th century, modelled on its hind quarters eating red berries, underglaze blue factory mark, height 16cm.

Two child's pottery mugs, 19th century, the first printed in black with a classroom scene beneath the inscription 'KEPT IN AT SCHOOL', height 6.8cm, the second with two children at play titled 'THE YOUNG SERGEANT', (faults).

A Liverpool porcelain sauceboat, Philip Christian, circa 1770, the moulded body polychrome painted with floral sprays, unmarked, length 12.5cm (minor faults).

A Sèvres porcelain cabinet cup and saucer, circa 1760, the cup with opposing oval panels of a reading maiden and a male lute player, the saucer with a still life arrangement of sheet music, musical instruments, fruit and flowers, both with cobalt blue ground gilt with an oeil-de-perdrix pattern, underglaze blue mark to saucer with artist's monogram for Tandart, diameter of saucer 14.7cm (cup restored).

A treacle glazed terracotta model of a recumbent lion, late 19th/20th century, unmarked, length 31cm.

A set of eleven creamware plates, late 18th/early 19th century, with basketweave moulded rims and pierced edges enamelled in chocolate brown, unmarked, diameter 21.3cm (minor faults).

An Aldermaston Pottery bowl by Harriet Coleridge, 1984-87, painted in red lustre with scrolling floral motifs, diameter 21.7cm, and an Aldermaston Pottery owl pattern jug by Venetia Sieveking, circa 1975, height 14.7cm (hairline), both with painted artists' monograms to bases, together with the book 'Pottery, People and Time' by Alan Caiger-Smith and two other lustre glazed pottery bowls.

Two Julian Bellmont High Street Pottery vases, one decorated with purple and red lustres, height 15.4cm, the other with spiralling decoration, height 10.8cm, both with painted initials to base.