Asian and Islamic Ceramics and Works of Art

A group of Chinese porcelain, comprising a blue and white export porcelain plate, Kangxi period, painted with flowers, diameter 22.5cm, four other blue and white plates, a famille rose teabowl, Qianlong period, painted with figural scenes, diameter 7.7cm, a pair of blue ground teabowls with pale green and turquoise enamelled lotus and scrolling tendril design, heights 6cm, and a Canton famille rose saucer, diameter 15.6cm, together with a Delft blue and white plate, 18th century, painted with a foliate design, diameter 22.2cm (some faults).

A Chinese blue and white porcelain vase, late 19th century, of shouldered tapering form with flared neck, painted with blossoming prunus branches, underglaze blue double ring to base, height 35.5cm, together with a Japanese blue and white porcelain vase, Meiji period, painted with a crane and prunus branches, height 21.5cm.

A Chinese Canton famille rose porcelain bottle vase, late 19th century, typically painted with panels of figures, birds and flowers within butterfly and flower borders, height 32.5cm, together with a famille rose vase, mid to late 19th century, painted with opposing figural panels against a flower and bird-filled ground, height 33cm (reduced neck).

A small group of Japanese pottery, including a blue and white porcelain rectangular box with carved wood cover, length 13.8cm (hairline and repaired foot), a Satsuma earthenware domed cover, diameter 11.2cm, a Kutani rectangular dish, length 14cm, and an Imari porcelain bottle vase, height 17.7cm.

A Chinese blue and white export porcelain part tea service, Qianlong period, comprising four teabowls, five other similar teabowls, eight saucers and three coffee cups, each painted with pavilions in a coastal landscape, enriched in gilt (some faults).

Two Chinese Imari export porcelain octagonal dishes, Kangxi period, each painted and gilt with flowers, widths 37.8cm and 27cm (the larger dish rivet repaired, the smaller with hairline starcrack).

A pair of Chinese famille verte porcelain Buddhistic lion jostick holders, late Qing dynasty, each modelled seated with paw resting on a brocade ball, the rectangular base painted with shou medallions and leaping carp panels on a trellis ground, height 26cm (restoration).

A Chinese celadon glazed porcelain vase, Yuan/Ming dynasty, the baluster body and flared neck with fluted decoration beneath a metal mounted rim, height 18.7cm, together with a Chinese celadon glazed cylinder vase, carved in low relief with flowers and leaves, height 19.8cm (chip to rim).

A small group of Japanese works of art, Meiji period, comprising a Komai style pedestal bowl, decorated with pavilions in landscape, height 13.8cm, two ginbari cloisonné vases, heights 12cm and 8.8cm, and two wood stands, diameters 21.5cm and 14cm, together with a studio pottery vase.

A Chinese blue and white porcelain rouleau vase, Kangxi period, the swollen cylindrical body painted with a figural scene including three maidens accompanied by a standing hare and four further figures standing amidst clouds, beneath two lines of text, the cylindrical neck with central rib, painted with ruyi-head and keyfret bands, unmarked, height 45.7cm.

A Chinese en grisaille and gilt decorated export porcelain punch bowl, Qianlong period, painted and gilt with flower sprays and festoons, diameter 28.7cm (hairline to rim), together with a small group of Chinese blue and white export porcelain, mostly 18th century, including three meat dishes, two plates, sparrow beak jug, soft paste teapot stand, width 13.6cm, and circular bowl (some with faults).

A Chinese Canton famille rose medallion porcelain teapot and cover, mid-19th century, of cylindrical form, typically painted with birds and flowers, height 14.8cm, together with a collection of other similarly decorated famille rose porcelain, late 19th century and early 20th century, including cups, saucers and plates (some faults).

Utagawa Hiroshige (1797-1858) - a group of three Japanese oban tateye woodblock prints, mid-19th century, comprising Yui: The Satta Pass (Junana Yui Satta Toge Oya Shirazu) from the Fifty-three Stations of the Tokaido Road Series (Gojusan Tsugi Meisho Zue), 34cm x 22cm, Tosa Province: Bonito Fishing at Sea, 34cm x 22.5cm, and Yashamiro Province: The Togetsu Bridge, 34.3cm x 23cm, both from the Famous Places in the Sixty-odd Provinces Series (Rokujuyoshi Meisho Zue), framed and glazed.

A Korean brass mounted elm bandaji chest, late 19th century, the front with hinged drop-flap, applied with engraved brass plates and handles, height 75cm, width 84cm.

A pair of Chinese huanghuali stools, 19th century, each with square panelled top on turned legs united by stretchers, height 25.3cm, top width 28cm.

A Chinese hardwood altar table, probably late Qing dynasty, the rectangular panelled top with curved ends, the frieze and end panels carved and pierced with dragons and scrolling tendrils, on pierced legs united by stretchers, length 120cm, height 84cm, depth 42cm.

A Chinese elm horseshoe back armchair, 20th century, with splat back and panelled seat, height 95.5cm, width 73.5cm.

A Japanese Imari porcelain bottle vase, Meiji period, the globular body and narrow neck painted and gilt with variously shaped panels of birds and foliage, height 24cm, together with two Japanese Imari circular dishes, diameters 36.8cm and 39.7cm.

A Chinese hardwood stand, late 19th century, the square top inset with a rouge marble panel, the frieze carved in low relief with lotus and scrolling tendrils above a pierced interlinked scroll apron, on turned legs with claw and ball feet, height 47.5cm, width 41.7cm.