Asian and Islamic Ceramics and Works of Art

A Japanese cloisonné jug and cover, Meiji period, of lobed form, decorated with panels of polychrome butterflies, flowers and foliate decoration on a black whorl ground, unsigned, height 21cm.

A Chinese famille verte enamelled biscuit porcelain teapot and cover with Buddhistic lion cub finial, mark of Kangxi but late Qing dynasty, the flattened body pierced and moulded as a character, painted with opposing figural panels within floral borders, black enamelled six-character mark to base, height 23cm.

A Chinese porcelain wine cup, mark of Qianlong but 20th century or later, of steep sided 'U' form with flared rim, the exterior enamelled with peach, pomegranate and Buddha's hand citron sprays, iron red enamelled seal mark to base, height 5.8cm.

A Japanese Satsuma earthenware koro and cover by Kinkozan, Meiji period, the globular body painted and gilt with a continuous figural scene, gilt signature to base, height 13.4cm (cover repaired), together with a small Satsuma earthenware bowl, diameter 6.3cm, and two Kutani wine cups, heights 5.1cm and 3.9cm. Provenance: the property of a West Sussex private collector.

A group of six Chinese famille rose export porcelain soup plates, Qianlong period, comprising five painted and gilt with flower and fruit-charged baskets within rims of scattered fruit and flower sprays, diameters 23cm, the other with birds beside a pine and castle with floral and scroll borders, diameter 22.5cm (chips and hairlines to rims).

A Chinese green crackle glazed porcelain bottle vase, mark of Kangxi but late Qing dynasty, the globular body and cylindrical narrow neck covered in a finely crackled apple green glaze, underglaze blue six-character mark within double ring to base, height 21cm.

A pair of Chinese silk embroidered rectangular panels, late Qing dynasty, each finely worked in coloured and gilt threads with a leaping carp below a blossoming branch, 23.3cm x 13cm, unframed. Provenance: the property of a West Sussex private collector.

A collection of Chinese export porcelain, 18th century, including a famille rose cylindrical coffee can, Kangxi period, painted with flowers, height 6.1cm, a Nanking Cargo blue and white pine tree pattern teabowl and saucer, a famille rose Mandarin palette coffee cup, Qianlong period, painted with figures, height 6.5cm, and an iron red and green enamelled porcelain bowl, mark of Jiaqing, painted with lotus, scrolling foliage and gilt characters within underglaze blue borders, underglaze blue seal mark to base, diameter 13cm (cracked and repaired). Provenance: the property of a West Sussex private collector.

A Chinese famille rose enamelled porcelain brushpot, mark of Guangxu and possibly of the period, of square form, the sides decorated with chrysanthemum, blossoming prunus, bamboo and other flowers within iron red and gilt framing on ruyi feet, underglaze blue six-character mark to base, height 10.7cm.

A Chinese blue and white crackle glazed porcelain vase, late Qing dynasty, of baluster form, painted with birds, butterflies and flowers, the flared neck with moulded and iron oxide washed prunus branch handles, iron oxide washed pseudo seal mark to base, height 61cm.

Yoshijiro Urushibara (1888-1953) - a pair of Japanese polychrome woodblock prints, titled 'Lilies' and 'Tulips', each signed and numbered in pencil to margin, 41.5cm x 28cm and 41cm x 30.4cm, each within a chinoiserie lacquered frame and glazed, printed and inscribed 'W.R. Deighton & Sons Ltd' retailer's label verso.

A set of fifteen Chinese blue and white export porcelain octagonal plates, Qianlong period, each painted with two figures crossing a bridge and pavilions in a coastal landscape, width 22.8cm, together with a matching soup plate and circular plate (faults).

A set of six Chinese blue and white export porcelain plates, late Qianlong period, each painted with a pair of pheasants beside tree and peony within a shaped foliate rim, diameters 22.2cm, together with nine other Chinese blue and white export porcelain plates, 18th century, comprising seven painted with floral designs and the other two with coastal landscapes, diameters ranging from 22.9cm to 24cm (faults).

A Chinese blue and white export porcelain soup tureen and cover, Qianlong period, painted with pavilions in coastal landscapes, length 32.5cm (chipped and cracked), together with a group of fifteen Chinese blue and white export porcelain octagonal plates, painted with floral or landscape decoration, widths ranging from 22.2cm to 23.5cm, and three smaller side plates, widths 19.2cm (faults).

A Chinese famille rose export porcelain circular dish, Qianlong period, painted with two crabs, scattered weeds and peony, diameter 39.2cm (rivet-repaired and rim chips).

A Chinese hardwood circular stand, late Qing dynasty, the turned circular top above a carved and pierced apron on scroll feet, diameter 31cm (split to top).

A pair of Chinese watercolour paintings on paper, late Qing dynasty, each depicting a scene of a figure in an interior setting, lines of black and red text to margins, 22cm x 14.3cm, framed and glazed.

A Chinese silk embroidered rectangular panel, late Qing dynasty, worked in coloured threads with Buddhistic lion, fenghuang, other birds, butterflies and flowers on a red ground, 30cm x 92cm, framed and glazed.

A Chinese hardwood stand, late Qing dynasty, the octagonal top with carved bead edge and inset with a rouge marble panel, above a carved and pierced blossoming prunus apron, on similarly carved cabriole legs united by an 'X' stretcher, height 91.5cm, width of top 27.2cm.