Asian and Islamic Ceramics and Works of Art

A group of three Indian Mughal style manuscript pages, 20th century, each depicting a figural scene within script borders, 19cm x 10.5cm, 20.5cm x 10.5cm and 20.5cm x 12cm, framed and glazed, together with a print depicting a Chinese horse and groom, framed and glazed.

A Chinese export reverse painting on glass, 19th century, depicting a young lady seated on a settee, the reverse detailed 'After |A Man Trap| John Collett 1780', 29cm x 24cm (cracked).

A Chinese watercolour painting, Qing dynasty, depicting figures within a mountainous lakeland scene, three lines of black text and red seal to upper right corner and four black characters above, 38cm x 99.5cm, framed, together with a Chinese watercolour, 20th century, depicting a landscape, black text and red seals above, 44.5cm x 56.5cm, framed and glazed.

A small group of Chinese works of art, late Qing dynasty and later, including a lacque burgauté box and cover of square form, finely inlaid with floral panels, height 4.7cm, a lacquer box and cover in the form of a recumbent boy, length 6.8cm, a wire inlaid hardwood rectangular box and cover, length 12.4cm, and small hardwood stand, height 9cm.

A Sino-Tibetan bronze figure of a bodhisattva, probably early 20th century, with parcel gilt detailed clothing and headdress, on a shaped base, height 20cm.

A Chinese blue and white porcelain vase, mark of Kangxi but 20th century, the tapered high-shouldered baluster body painted with two dragons chasing a flaming pearl amidst clouds and vapour trails, underglaze blue four-character mark to base, height 34cm, together with a famille rose vase, 20th century, height 28.5cm (both extensively damaged and glued).

A group of seven Japanese woodblock oban triptych prints, late 19th century, depicting various scenes from the Sino-Japanese war period, by artists including two by Mizuno Toshikata (1866-1908) of naval officers discussing strategy and the bravery of Captain Matsuzaki during the assault at Anseong Crossing, two by Kobayashi Kiyochika (1847-1915), each of naval battles near Phung-To in Korea, and another depicting Emperor Meiji at a train station, each approx 37cm x 73cm, all unframed and unmounted.

A Chinese sang-de-boeuf glazed porcelain water coupe of globular form, impressed seal mark to base, height 4.7cm, together with a Chinese copper red decorated 'Three Fish' stem cup, mark of Chenghua but modern, underglaze blue pseudo six-character mark to inside of foot, height 8.9cm.

A Chinese porcelain vase, mark of Yongzheng but Republic period or later, the ovoid body painted with birds, rocks, bamboo and flowers opposing lines of black text and three puce seals, beneath a flared neck with black borders, blue enamelled seal mark to base, height 21.5cm, together with a pair of cong-shaped vases, painted with opposing figural panels alternating with lines of black script and red seals, red painted seal mark to bases, height 10.7cm (one chipped).

A Chinese Canton export enamel tripod censer and cover, 19th century, the oval body finely painted with butterflies, flowers and tendrils against a turquoise ground beneath a ruyi head band, yellow ground neck and keyfret decorated rim, flanked by a pair of upright blue scroll handles, height 17cm, with wood stand (some faults).

A collection of Chinese porcelain, Qing dynasty and later, comprising a pink enamelled jar and cover, moulded in relief with the eight trigrams roundels, height 9cm, a blue and white porcelain seal paste box and cover, mark of Qianlong but later, the top incised with dragons amidst vapours, diameter 6.6cm, a pair of pink glazed vases, height 13.2cm, a wucai porcelain circular box and cover, mark of Wanli but modern, painted with dragon and phoenix, diameter 16.5cm, a blue and white wine cup, height 3.6cm (chips to rim), and a pair of small porcelain figures of boys.

A set of four Chinese bamboo hanging wall panels, each carved and pierced with a floral panel comprising narcissus, chrysanthemum, bamboo and prunus beneath lines of text and character roundel, length 45cm, together with three bamboo brushpots, each with carved relief decoration, two signed, heights 14.5cm and 20.8cm.

A Chinese blue and white Kraak porcelain circular dish, late Ming dynasty, Wanli period, the centre painted with an octagonal medallion filled with two birds, peonies and rocks, framed by a segmented rim of flowers and precious objects, diameter 29.5cm (repair to rim), applied 'Guest & Gray' paper label to base.

A pair of Chinese archaistic brown patinated bronze vases, late Qing dynasty, each globular body and flared neck cast with archaistic motifs, height 13cm, together with a small group of bronze items, including a pricket candlestick of lotus form, four-character mark to base, height 14cm, and a circular stand, incised mark to underside rim, diameter 11cm.

A Chinese Canton export enamel wall vase, Qing dynasty, painted and gilt with prunus blossom, bamboo and cracked ice on a blue ground, height 26.8cm, together with a pair of matching wine cups, height 3.5cm (some faults and restoration).

An Indian oil on canvas, modern, depicting a scene of a prince and his consort seated on a balcony, accompanied by two female musician attendants, unsigned, 114cm x 84cm, unframed.

A Chinese Canton enamel two-handled bowl, Qing dynasty, the square tapering body painted with figural panels, height 5cm, together with a pair of Canton enamel circular bowls, each exterior painted with figures in a landscape, height 5cm, diameter 10cm (some faults).

A small group of Chinese enamel wares, mostly 20th century, comprising a cloisonné tripod censer and cover, height 14.5cm, with stand, a cloisonné circular bowl, diameter 17.5cm, a cloisonné jar and cover, height 15.2cm, and an enamel vase, painted with figures in landscape, height 16cm.

A Chinese hanging scroll painting, 20th century, depicting two figures walking in a mountainous landscape, black text and red seals to upper left corner, 96.5cm x 38cm.