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Antiquarian and Collectors’ Books

Wed, 26th July 2023
Commencing at 13:00

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http://www.tooveys.com/online-catalogue/antiquarian-and-collectors-books/2214/2/
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LOT 3023
LOT 3023
DICKENS, Charles. [The Christmas Books.] A Christmas Carol, in Prose. Being a Ghost Story of Christmas. London: Bradbury & Evans, 1860. Fourteenth edition, 8vo (163 x 94mm.) Etched hand-coloured frontispiece, half-title, title in red and blue. (Browned to margins, spotting to title, occasional browning and minor soiling.) Original red blind-stamped cloth, gilt wreath to upper cover, g.e. (chipped at top of spine, bumped to extremities, minor stains to covers). Provenance: W.H. Smith & Son Library (embossed stamp to half-title). - And a further four volumes comprising all the 'Christmas Books' (a first edition of 'The Battle of Life', 1846, 8vo, a thirteenth edition of 'The Chimes', 1845, 8vo, a twenty-second edition of 'The Cricket on the Hearth', 1846, 8vo and a first edition of 'The Haunted Man and the Ghost's Bargain', 1848, 8vo) (5).
Hammer Price: £550
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LOT 3026
LOT 3026
BOTANY. - William CURTIS. The Botanical Magazine; or, Flower-Garden Displayed. London: Fry and Couchman, 1787-1827. 54 vols. in 29. 8vo (228 x 134mm.) 2749 hand-coloured plates, including 218 folding, index leaves, engraved portrait frontispiece, title-pages, errata leaf bound-in, 'General Index' bound with vol. 42. (Browning, some offsetting, occasional spotting, small closed holes at plates 1611 and 1315, lacking 3 plates, numbers 69, 539 and 2466.) Contemporary half calf over marbled paper-covered boards, red and black morocco lettering pieces to the spines (rubbing to extremities, lacking red lettering piece to one volume, some scuffing and rubbing). Note: Curtis's Botanical Magazine is the greatest and longest-running series of botanical magazines. It was immediately successful, not only for its plates by distinguished artists of the time, but for the text descriptions themselves which take the reader on a journey in the history of botany. Provenance: Gordon Castle (name-plate to front pastedowns). [Nissen BB1 2350; Great Flower Books p. 156] (29).
Unsold
LOT 3037
LOT 3037
STRAUSS, Richard and Hugo von HOFMANNSTHAL. Elektra. London, New York, Sydney etc.: Boosey & Hawkes, 1943. Signed and inscribed by Richard Strauss to Sir Thomas Beecham on the initial blank, large 8vo (272 x 186mm.) (Spotting to endpapers). Original cloth-backed boards, gilt initials 'R.S' to upper cover (minor spotting to cloth, slight weakening to inner hinge and minor discolouring to covers). Note: the inscription reads: 'Sir Thomas Beecham, dem treuer Freund und genialer interpreten meiner Werke, in grosslen Dankbarkeit und Bewunderung, Richard Strauss, London 24.10.47' [ Sir Thomas Beecham, the faithful friend and genius interpreter of my work, with deep gratitude and admiration, Richard Strauss, London, 24.10.47.] On the 19th February 1910, Thomas Beecham conducted the U.K. premiere of 'Elektra' at the Royal Opera House, Covent Garden. It began many decades of collaboration between them. Nearly forty years later, and a few days before inscribing this book Richard Strauss had attended the Strauss Festival in London - which Beecham had organised. He'd recently undergone and been 'cleared' by the 'denazification' process in Germany and Strauss felt enormous gratitude to Beecham for his support and the festival was to become crucial in the post-war acceptance of Strauss and his work. Provenance: Sir Thomas Beecham (ink ownership stamps to pastedowns reading 'The Property of Sir Thomas Beecham').
Hammer Price: £2,400
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