Fine Art

After Bartolomé Esteban Murillo - The rest on the flight into Egypt, oil on canvas, 96.5cm x 74cm, within a gilt composition swept frame.

After David Teniers the younger - The consecration of a village church, circa 1650, oil on canvas, bears a signature and date 1684 lower left, 77cm x 144cm, within a gilt composition frame. Note: the original painting of this subject is in the collection of the Kunsthistorisches Museum, Vienna.

Dutch School (17th/18th century) - Three figures and a dog in an interior, oil on panel, 36cm x 37cm, within a Dutch style ebonized frame.

Attributed to Filippo Lauri (Italian 1623-1694) – Jupiter and Lo, oil on canvas, signed with initials, 26cm x 20.5cm, within a gilt composition frame.

After Gabriel Metsu - The Poultry Seller, oil on panel, 48.5cm x 37.5cm, within a walnut veneered frame. Provenance: from the estate of the late Michael Rawlins of Wakefords, Easebourne, West Sussex.

Louis Joseph Narcisse Marchand (French 1791-1876) - Capriccio view of a Napoleonic triumphal arch, monochrome watercolour and ink, later paper added to mount ‘Given to Andrew Mott by M. Marchand on board H.M.S. Northumberland en route for St Helena. Discovered amongst Scrope Davies papers’, further inscriptions verso, image 18.5cm x 30cm, within an ebonized frame of deep section. Note: Marchand was Napoleon Bonaparte’s valet and nominated liquidator of his succession. The arch has a panel with a figure on a rearing horse similar to David’s portrait of Napoleon, above an initial ‘N’ flanked by angels similar to those seen on the arcades of the Arc de Triomphe de l’Etoile.

Dutch School (18th/19th century) - A woodland path; River scene with windmill beyond, a pair, oil on panel, each 12cm x 17.5cm, within recently regilded swept composition frames.

Abraham Cooper (British 1787-1868) - Brian de Bois Guilbert escaping from Torquistone Castle followed by his Saracens with Rebecca, oil on panel, 52.5cm x 42cm, within a gilt composition frame.

Paul Sandby (British 1730-1809) - Figures on a lakeside path in a park, watercolour and gouache, signed and with collector’s monogram verso, with Covent Garden Gallery label verso, 22.5 x 26.5cm, within a gilt frame. Note: the gallery label verso states ‘the collector’s mark E.B. Lugt 8 280 thought to be that of Frankfurt art historian Ernst Benkard'.

Circle of John Russell – Portrait of a lady, head and shoulders, pastel, oval, inscribed on label verso, 64cm x 51.5cm, within a composition gilt beaded frame.

Follower of George Morland – Figures and dog before a cottage in a wooded landscape, oil on canvas, bears a signature and date 1795 lower left, 65cm x 92cm, within a composition gilt academy frame.

British School (early 19th century) - The Old Moot Hall, Briggate Leeds, depicting ‘Leeds Auction Mart’, oil on canvas, 71cm x 91cm, within a gilt composition frame. Provenance: from the estate of the late Michael Rawlins of Wakefords, Easebourne, West Sussex.

Follower of Jean-Horace Vernet - Zoave seated, oil on board, 44cm x 36cm, within a gilt frame.

François-Antoine Bossuet (Belgian 1800-1889) - View of a Continental town with canal, oil on canvas, signed and dated 1880 lower left, 48.5cm x 64cm, within a composition gilt swept frame. Provenance: with Stacy Marks. From the estate of the late Michael Rawlins of Wakefords, Easebourne, West Sussex.

British School (mid 19th century) - Portrait of a lady wearing a blue gown, on a terrace with a landscape beyond, oil on canvas, 21cm x 51cm, within a plain gilded frame.

Circle of Edward Robert Smythe - A donkey and terrier in a stable interior, oil on canvas, 24cm x 30.5cm, within a scumbled frame.

James Nasmyth (British 1808-1890) - John Simmons feeding his pigs, oil on metal, inscribed on label verso, 25cm x 31.5cm, within a gilt composition swept frame. Provenance: from the estate of the late Michael Rawlins of Wakefords, Easebourne, West Sussex.

John Phillip (British 1817-1867) - Going to Market, oil on canvas, 46cm x 38cm, within a gilt composition swept frame.

Théophile Emmanuel Duverger (French 1821-1886) - Children at play in a churchyard, oil on canvas, 39cm x 31cm, within a gilt composition swept frame. Provenance: from the estate of the late Michael Rawlins of Wakefords, Easebourne, West Sussex.